RENAISSANCE COLOUR SYMBOLISM - Osborne, Roy
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RENAISSANCE COLOUR SYMBOLISM brings together selected primary sources with original annotated English translations of 'Le Blason de toutes armes et éscutz' (1420/1495) by Jean Courtois, the Sicily Herald, 'Le Blason des couleurs en armes, livrées et devises' (1527) by Gilles Corrozet, 'Libellus de coloribus' (1528) by Antonio Telesio (Thylesius), 'Del significato de' colori' (1535) by Fulvio Pellegrino Morato, and sections of 'The Accedence of Armorie' (1562/1612) by Gerard Leigh, and 'Trattato dell' arte della pittura, scoltura, et architettura' (1585) by Giovanni Paolo Lomazzo. The original texts accompany the translations.…mehr

Produktbeschreibung
RENAISSANCE COLOUR SYMBOLISM brings together selected primary sources with original annotated English translations of 'Le Blason de toutes armes et éscutz' (1420/1495) by Jean Courtois, the Sicily Herald, 'Le Blason des couleurs en armes, livrées et devises' (1527) by Gilles Corrozet, 'Libellus de coloribus' (1528) by Antonio Telesio (Thylesius), 'Del significato de' colori' (1535) by Fulvio Pellegrino Morato, and sections of 'The Accedence of Armorie' (1562/1612) by Gerard Leigh, and 'Trattato dell' arte della pittura, scoltura, et architettura' (1585) by Giovanni Paolo Lomazzo. The original texts accompany the translations.
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Autorenporträt
ROY OSBORNE is an artist, educator, and author. After publishing 'Lights and Pigments: Colour Principles for Artists' (1980), he became a prominent colour theorist, lecturing and teaching at over 200 art institutions worldwide. His subsequent publications include 'Books on Colour 1495-2020: History and Bibliography' and 'The Color Coursebook for Art Teachers and Students'. He was awarded the first Turner Medal of the Colour Group (Great Britain) in 2003, and the first Colour in Art, Design and Environment Medal of the International Colour Association (AIC CADE) in 2019.