An examination of the social history of Florence during the critical period of its growth and development in the early modern period, from the fourteenth through sixteenth centuries. The volume provides a multi-dimensional view of Florence as it evolved into an economic powerhouse and dynamic center of artistic achievement, as well as the setting for political and religious struggles. It also demonstrates how permeable boundaries between the disciplines of history and art history have become.
An examination of the social history of Florence during the critical period of its growth and development in the early modern period, from the fourteenth through sixteenth centuries. The volume provides a multi-dimensional view of Florence as it evolved into an economic powerhouse and dynamic center of artistic achievement, as well as the setting for political and religious struggles. It also demonstrates how permeable boundaries between the disciplines of history and art history have become.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Roger J. Crum is associate professor of art history at the University of Dayton, where he held the Graul Chair in Arts and Languages. He has received fellowships from the Kress Foundation (at the Kunsthistorisches Institut in Florence), the Newberry Library, and the Institute for Advanced Study. He is co-editor, with Claudia Lazzaro, of Donatello among the Blackshirts: History and Modernity in the Visual Culture of Fascist Italy and is working on a study of the Medici Palace and partisan politics in fifteenth-century Florence. John T. Paoletti is professor of art history at Wesleyan University. He is the co-author of Art in Renaissance Italy, now in its third edition, and is completing a book on Michelangelo's David. He is a former editor of The Art Bulletin and has held a membership at the Institute for Advanced Study.
Inhaltsangabe
Introducion Roger J. Crum and John T. Paoletti; Part I. The Theatre of Florence: 1. Florentine politics and urban spaces John M. Najemy; 2. Theatres of everyday life Sharon T. Strocchia; Part II. The Public Realm: 3. The Piazza della Signoria as practiced place Stephen J. Milner; 4. Structuring communal history through repeated metaphors of rule Sarah Blake McHam; 5. Corporate beneficence and historical narratives of communal well-being Philip Gavitt; 6. The spaces of plebian ritual and the boundaries of transgression David Rosenthal; 7. Ritual trading at the Florentine wool cloth botteghe Adrienne Atwell; Part III. Relatives, Friends, and Neighbors: 8. Neighborhood as microcosm Nicholas Eckstein; 9. The palace and villa as spaces of patrician self-definition Michael Lingohr; 10. '... full of people of every sort': the domestic interior Roger J. Crum and John T. Paoletti; Part IV. Men and Women: 11. Mean streets, familiar streets, or the fat woodcarver and the masculine spaces of renaissance Florence Guido Ruggiero; 12. Did women have a space? Natalie Thomas; Part V. The Spaces of the Spiritual: 13. Sacred place and liturgical space: Florence's renaissance churches Robert W. Gaston; 14. Memorial chapels in churches: The privatization and transformation of sacred spaces Jonathan Katz Nelson; 15. The aural space of the sacred in renaissance Florence Peter Howard; 16. Identity and alliance: urban presence, spatial privilege, and Florentine renaissance convents Saundra Weddle; Part VI. Across Space and Time: 17. The workshop as the space of collaborative artisitic production Anabel Thomas; 18. The replicated image in Florence, 1300-1600 Patricia Emison; 19. From the workshop to the academy: the emergence of the artist in renaissance Florence Andrea Bolland.
Introducion Roger J. Crum and John T. Paoletti; Part I. The Theatre of Florence: 1. Florentine politics and urban spaces John M. Najemy; 2. Theatres of everyday life Sharon T. Strocchia; Part II. The Public Realm: 3. The Piazza della Signoria as practiced place Stephen J. Milner; 4. Structuring communal history through repeated metaphors of rule Sarah Blake McHam; 5. Corporate beneficence and historical narratives of communal well-being Philip Gavitt; 6. The spaces of plebian ritual and the boundaries of transgression David Rosenthal; 7. Ritual trading at the Florentine wool cloth botteghe Adrienne Atwell; Part III. Relatives, Friends, and Neighbors: 8. Neighborhood as microcosm Nicholas Eckstein; 9. The palace and villa as spaces of patrician self-definition Michael Lingohr; 10. '... full of people of every sort': the domestic interior Roger J. Crum and John T. Paoletti; Part IV. Men and Women: 11. Mean streets, familiar streets, or the fat woodcarver and the masculine spaces of renaissance Florence Guido Ruggiero; 12. Did women have a space? Natalie Thomas; Part V. The Spaces of the Spiritual: 13. Sacred place and liturgical space: Florence's renaissance churches Robert W. Gaston; 14. Memorial chapels in churches: The privatization and transformation of sacred spaces Jonathan Katz Nelson; 15. The aural space of the sacred in renaissance Florence Peter Howard; 16. Identity and alliance: urban presence, spatial privilege, and Florentine renaissance convents Saundra Weddle; Part VI. Across Space and Time: 17. The workshop as the space of collaborative artisitic production Anabel Thomas; 18. The replicated image in Florence, 1300-1600 Patricia Emison; 19. From the workshop to the academy: the emergence of the artist in renaissance Florence Andrea Bolland.
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