Cassoni: The Inside Story Jo Kate Collier "We Are Not All Alyke nor of Complexion One": Truism and Isabella Whitney's Multiple Readers Boyd M. Berry Allusive Resonance in the Woodcut in Spenser's "April" Hugh Davis El Trato del Argel: A First Step Towards the Creation of a Masterpiece Pamela Peek Voices of Prophecy and Prayer in Thomas Nashe's Christ's Tears Over Jerusalem Catherine I. Cox Types of the Crone: The Nurse and the Wise Woman in English Renaissance Drama Jeanne A. Roberts "Divine Zenocrate," "Wretched Zenocrate": Female Speech and Disempowerment in Tamberlane I Pam Whitfield Narrativity: Edward II and Richard II George L. Geckle Chaucer's Contribution to The Tempest: A Reappraisal Lewis Walker "Over Reconing" the "Undertones": A Preface to "Some Elegies" by John Donne M. Thomas Hester A Partial Liberty: Gender and Class in Jane Cavendish and Elizabeth Brackley's The Concealed Fancies Robin O. Warren
Cassoni: The Inside Story Jo Kate Collier "We Are Not All Alyke nor of Complexion One": Truism and Isabella Whitney's Multiple Readers Boyd M. Berry Allusive Resonance in the Woodcut in Spenser's "April" Hugh Davis El Trato del Argel: A First Step Towards the Creation of a Masterpiece Pamela Peek Voices of Prophecy and Prayer in Thomas Nashe's Christ's Tears Over Jerusalem Catherine I. Cox Types of the Crone: The Nurse and the Wise Woman in English Renaissance Drama Jeanne A. Roberts "Divine Zenocrate," "Wretched Zenocrate": Female Speech and Disempowerment in Tamberlane I Pam Whitfield Narrativity: Edward II and Richard II George L. Geckle Chaucer's Contribution to The Tempest: A Reappraisal Lewis Walker "Over Reconing" the "Undertones": A Preface to "Some Elegies" by John Donne M. Thomas Hester A Partial Liberty: Gender and Class in Jane Cavendish and Elizabeth Brackley's The Concealed Fancies Robin O. Warren
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