Sixty-fifth annual volume, focusing notably on Shakespearean drama and the poetry of early modern England but with essays on a variety of other topics relevant to the period.
Sixty-fifth annual volume, focusing notably on Shakespearean drama and the poetry of early modern England but with essays on a variety of other topics relevant to the period.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
"One Little Room, An Everywhere": Staging Silence in London's Blackfriars and Shakespeare's Henry VIII - Deneen M. Senasi "What they are yet I know not": Speech, Silence, and Meaning in King Lear - John N. Wall Shakespearean Epiphany - Robert Lanier Reid Between the "triple pillar" and "mutual pair": Love, Friendship, and Social Networks in Antony and Cleopatra - Jonathan Shelley "Beauty Changed to Ugly Whoredom": Analyzing the Mermaid Figure in The Changeling - Kendell Spillman Imagining the Other in a Cuzco Defense of the Eucharist - Lisandra Estevez A Critique of Poor Reading: Antissia's Madness in The Countess of Montgomery's Urania - Rachel M. De Smith Roberts "Thou thyself likewise art lyttle made": Spenser, Catullus, and the Aesthetics of "smale poemes" - Melissa J. Rack The ordo salutis: Sacred Circularities in John Donne's "Good Friday 1613. Riding Westward" - Nathan Dixon "Broken-Backed" Texts: Meritocracy and Misogyny in Ben Jonson's The Forrest - Don E. Wayne
"One Little Room, An Everywhere": Staging Silence in London's Blackfriars and Shakespeare's Henry VIII - Deneen M. Senasi "What they are yet I know not": Speech, Silence, and Meaning in King Lear - John N. Wall Shakespearean Epiphany - Robert Lanier Reid Between the "triple pillar" and "mutual pair": Love, Friendship, and Social Networks in Antony and Cleopatra - Jonathan Shelley "Beauty Changed to Ugly Whoredom": Analyzing the Mermaid Figure in The Changeling - Kendell Spillman Imagining the Other in a Cuzco Defense of the Eucharist - Lisandra Estevez A Critique of Poor Reading: Antissia's Madness in The Countess of Montgomery's Urania - Rachel M. De Smith Roberts "Thou thyself likewise art lyttle made": Spenser, Catullus, and the Aesthetics of "smale poemes" - Melissa J. Rack The ordo salutis: Sacred Circularities in John Donne's "Good Friday 1613. Riding Westward" - Nathan Dixon "Broken-Backed" Texts: Meritocracy and Misogyny in Ben Jonson's The Forrest - Don E. Wayne
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