Renaissance Paratexts
Herausgeber: Smith, Helen; Wilson, Louise
Renaissance Paratexts
Herausgeber: Smith, Helen; Wilson, Louise
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A stimulating collection which explores both the material and the conceptual worlds of the early modern book.
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A stimulating collection which explores both the material and the conceptual worlds of the early modern book.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 290
- Erscheinungstermin: 2. Juli 2014
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 424g
- ISBN-13: 9781107463424
- ISBN-10: 1107463424
- Artikelnr.: 41417722
- Verlag: Cambridge University Press
- Seitenzahl: 290
- Erscheinungstermin: 2. Juli 2014
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 424g
- ISBN-13: 9781107463424
- ISBN-10: 1107463424
- Artikelnr.: 41417722
Introduction Helen Smith and Louise Wilson; Part I. Orders of the Book: 1.
'Imprinted by Simeon such a signe': reading early modern imprints Helen
Smith; 2. 'Intended to offenders': the running titles of early modern books
Matthew Day; 3. Changed opinion as to flowers Juliet Fleming; 4. The
beginning of 'The End': terminal paratext and the birth of print culture
William H. Sherman; Part II. Making Readers: 5. Editorial pledges in early
modern dramatic paratexts Sonia Massai; 6. Status anxiety and English
Renaissance translation Neil Rhodes; 7. Playful paratexts: the front matter
of Anthony Munday's Iberian Romance translations Louise Wilson; 8.
'Signifying, but not sounding': gender and paratext in the complaint genre
Danielle Clarke; Part III. Books and Users: 9. Unannotating Spenser Jason
Scott-Warren; 10. Reading the home: the case of The English Housewife Wendy
Wall; 11. Pictures, places and spaces: Sidney, Wroth, Wilton House and the
Songe de Poliphile Hester Lees-Jeffries; Afterword Peter Stallybrass;
Select bibliography.
'Imprinted by Simeon such a signe': reading early modern imprints Helen
Smith; 2. 'Intended to offenders': the running titles of early modern books
Matthew Day; 3. Changed opinion as to flowers Juliet Fleming; 4. The
beginning of 'The End': terminal paratext and the birth of print culture
William H. Sherman; Part II. Making Readers: 5. Editorial pledges in early
modern dramatic paratexts Sonia Massai; 6. Status anxiety and English
Renaissance translation Neil Rhodes; 7. Playful paratexts: the front matter
of Anthony Munday's Iberian Romance translations Louise Wilson; 8.
'Signifying, but not sounding': gender and paratext in the complaint genre
Danielle Clarke; Part III. Books and Users: 9. Unannotating Spenser Jason
Scott-Warren; 10. Reading the home: the case of The English Housewife Wendy
Wall; 11. Pictures, places and spaces: Sidney, Wroth, Wilton House and the
Songe de Poliphile Hester Lees-Jeffries; Afterword Peter Stallybrass;
Select bibliography.
Introduction Helen Smith and Louise Wilson; Part I. Orders of the Book: 1.
'Imprinted by Simeon such a signe': reading early modern imprints Helen
Smith; 2. 'Intended to offenders': the running titles of early modern books
Matthew Day; 3. Changed opinion as to flowers Juliet Fleming; 4. The
beginning of 'The End': terminal paratext and the birth of print culture
William H. Sherman; Part II. Making Readers: 5. Editorial pledges in early
modern dramatic paratexts Sonia Massai; 6. Status anxiety and English
Renaissance translation Neil Rhodes; 7. Playful paratexts: the front matter
of Anthony Munday's Iberian Romance translations Louise Wilson; 8.
'Signifying, but not sounding': gender and paratext in the complaint genre
Danielle Clarke; Part III. Books and Users: 9. Unannotating Spenser Jason
Scott-Warren; 10. Reading the home: the case of The English Housewife Wendy
Wall; 11. Pictures, places and spaces: Sidney, Wroth, Wilton House and the
Songe de Poliphile Hester Lees-Jeffries; Afterword Peter Stallybrass;
Select bibliography.
'Imprinted by Simeon such a signe': reading early modern imprints Helen
Smith; 2. 'Intended to offenders': the running titles of early modern books
Matthew Day; 3. Changed opinion as to flowers Juliet Fleming; 4. The
beginning of 'The End': terminal paratext and the birth of print culture
William H. Sherman; Part II. Making Readers: 5. Editorial pledges in early
modern dramatic paratexts Sonia Massai; 6. Status anxiety and English
Renaissance translation Neil Rhodes; 7. Playful paratexts: the front matter
of Anthony Munday's Iberian Romance translations Louise Wilson; 8.
'Signifying, but not sounding': gender and paratext in the complaint genre
Danielle Clarke; Part III. Books and Users: 9. Unannotating Spenser Jason
Scott-Warren; 10. Reading the home: the case of The English Housewife Wendy
Wall; 11. Pictures, places and spaces: Sidney, Wroth, Wilton House and the
Songe de Poliphile Hester Lees-Jeffries; Afterword Peter Stallybrass;
Select bibliography.