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"Thirteen dead black men, and nobody knows it happened," so says Johnny Smith, who sets out on a quest to make things right in the powerful novella that begins this collection - a masterpiece of collaged voices. Voice is urgent and significant--Dobson focuses throughout on the invisible and the unvoiced-he brings them to center stage, where they speak their pain and frustration. "Maybe we can revise history," one of his characters says; Dobson's book does just that. Mary Grimm, novelist, professor, Case Western University In entrancing prose that claims a place with writers as powerful as…mehr

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"Thirteen dead black men, and nobody knows it happened," so says Johnny Smith, who sets out on a quest to make things right in the powerful novella that begins this collection - a masterpiece of collaged voices. Voice is urgent and significant--Dobson focuses throughout on the invisible and the unvoiced-he brings them to center stage, where they speak their pain and frustration. "Maybe we can revise history," one of his characters says; Dobson's book does just that. Mary Grimm, novelist, professor, Case Western University In entrancing prose that claims a place with writers as powerful as Ralph Ellison, James Baldwin, and John Edgar Wideman, Frank Dobson offers his own bold, subtle explorations of race and life in America. I sat down to skim a bit of his new book of stories, and ended up reading its central novella straight through. This narrative of the .22-Caliber killings in Buffalo - little known to most Americans-and the lives of blacks and whites caught up in those tense days makes for suspenseful, compelling reading. Jeff Gundy, poet, professor, Bluffton University