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How we can recover from terrible ruptures, the pandemic, toxic politics, racist horrors, class warfare, gendered violence, and ecological brinksmanship.
Individually and collectively, we bear deep wounds. Some of these are generations old; all have been worsened by a destructive period of pyrrhic politics that left us ill-equipped to respond to a global health catastrophe. As we struggle to recover our footing and grieve our dead, Boston Review believes that the arts must have a voice in the conversation about how we heal. In this new anthology of poetry, fiction, and essays from renowned…mehr

Produktbeschreibung
How we can recover from terrible ruptures, the pandemic, toxic politics, racist horrors, class warfare, gendered violence, and ecological brinksmanship.

Individually and collectively, we bear deep wounds. Some of these are generations old; all have been worsened by a destructive period of pyrrhic politics that left us ill-equipped to respond to a global health catastrophe. As we struggle to recover our footing and grieve our dead, Boston Review believes that the arts must have a voice in the conversation about how we heal. In this new anthology of poetry, fiction, and essays from renowned writers and newcomers, writers explore whether and how we can repair terrible ruptures, life-threatening illnesses and the pandemic, toxic politics, racist horrors, class warfare, gendered violence, and ecological brinksmanship.

Contributors
Ariella Aisha Azoulay, Kemi Alabi, Donia Elizabeth Allen, Don Mee Choi, Adebe DeRango-Adem, Emma Dries, Farah Jasmine Griffin, Randall Horton, Savonna Johnson, Kim Hyesoon, Maya Marshall, Colleen Murphy, Simone Person, aureleo sans, Bishakh Som, Olúfmi O. Táíwò, Meredith Talusan, Brian Teare, Yiru Zhang
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Autorenporträt
Ed Pavlić is the author of Live at the Bitter End; Who Can Afford to Improvise? James Baldwin and Black Music, the Lyric and the Listener; Let’s Let That Are Not Yet: Inferno; and other books. He is Distinguished Research Professor of English and African American Studies at the University of Georgia.   Ivelisse Rodriguez’s short story collection, Love War Stories, was a 2019 PEN/Faulkner finalist and a 2018 Foreword Reviews INDIES finalist. She is founder and editor of an interview series published in Centro Voices, the e-magazine of the Center for Puerto Rican Studies at Hunter College.