Thomas Cartelli

Repositioning Shakespeare

National Formations, Postcolonial Appropriations

• Gebundenes Buch

Produktbeschreibung

This book offers an original assessment of a broad range of texts and cultural events that appropriate Shakespeare.

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Produktdetails

• Verlag: Taylor & Francis Ltd (Sales)
• Seitenzahl: 246
• Erscheinungstermin: 17. Dezember 1998
• Englisch
• Abmessung: 216mm x 140mm x 16mm
• Gewicht: 431g
• ISBN-13: 9780415191340
• ISBN-10: 0415191343
• Artikelnr.: 21732185

Autorenporträt

Thomas Cartelli is Professor of English at Muhlenberg College. He is the author of Marlowe, Shakespeare, and the Economy of Theatrical Experience, which was awarded the 1991 Hoffman Prize for Distinguished Publication on Christopher Marlowe.

Inhaltsangabe

INTRODUCTION
Part 1 DEMOCRATIC VISTAS
Chapter 1 NATIVISM, NATIONALISM, AND THE COMMON MAN IN AMERICAN CONSTRUCTIONS OF SHAKESPEARE
Chapter 2 SHAKESPEARE AT HULL HOUSE: JANE ADDAMS'S "A MODERN LEAR" AND THE 1894 PULLMAN STRIKE
Chapter 3 SHAKESPEARE, 1916: CALIBAN BY THE YELLOW SANDS AND THE NEW DRAMAS OF DEMOCRACY
Part 2 PROSPERO'S BOOKS
Chapter 4 PROSPERO IN AFRICA: THE TEMPEST AS COLONIALIST TEXT AND PRETEXT
Chapter 5 AFTER THE TEMPEST : SHAKESPEARE, POSTCOLONIALITY, AND MICHELLE CLIFF'S NEW, NEW WORLD MIRANDA
Part 3 THE OTHELLO COMPLEX
Chapter 6 ENSLAVING THE MOOR: OTHELLO, OROONOKO, AND THE RECUPERATION OF INTRACTABILITY
Chapter 7 "LIKE OTHELLO": TAYEB SALIH'S SEASON OF MIGRATION AND POSTCOLONIAL SELF-FASHIONING
Conclusion
Notes
Works Cited INDEX