This volume assembles leading scholars to provide a comprehensive study of representation in music from the nineteenth century to today.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface Joshua S. Walden; Part I. Representation and the Interpretation of Musical Meaning: 1. Layers of representation in nineteenth-century genres: the case of one Brahms Ballade Matthew Gelbart; 2. 'As a stranger give it welcome': musical meanings in 1830s London Roger Parker; 3. 'Music is obscure': textless Soviet works and their phantom programmes Marina Frolova-Walker; 4. Representing Arlen Walter Frisch; 5. Video cultures: 'Bohemian Rhapsody', Wayne's World, and beyond Nicholas Cook; Part II. Sound and Visual Representations: Music, Painting, and Dance: 6. 'On wings of song': representing music as agency in nineteenth-century culture Thomas Grey; 7. Representation and musical portraiture in the twentieth century Joshua S. Walden; 8. Representational conundrums: music and early modern dance Davinia Caddy; Part III. Musical Representations in Opera and Cinema: 9. Allusive representations: homoerotics in Wagner's Tristan Laurence Dreyfus; 10. Der Dichter spricht: self-representation in Parsifal Karol Berger; 11. Memory and the leitmotif in cinema Giorgio Biancorosso; 12. Self-representation in music: the case of Hindemith's meta-opera Cardillac Hermann Danuser, translated by J. Bradford Robinson; Part IV. Music, Representation, and the Concepts of East and West: 13. Doing more than representing Western music Rachel Beckles Willson; 14. The persistence of Orientalism in the postmodern operas of Adams and Sellars W. Anthony Sheppard; Afterword: what else? Richard Taruskin.
Preface Joshua S. Walden; Part I. Representation and the Interpretation of Musical Meaning: 1. Layers of representation in nineteenth-century genres: the case of one Brahms Ballade Matthew Gelbart; 2. 'As a stranger give it welcome': musical meanings in 1830s London Roger Parker; 3. 'Music is obscure': textless Soviet works and their phantom programmes Marina Frolova-Walker; 4. Representing Arlen Walter Frisch; 5. Video cultures: 'Bohemian Rhapsody', Wayne's World, and beyond Nicholas Cook; Part II. Sound and Visual Representations: Music, Painting, and Dance: 6. 'On wings of song': representing music as agency in nineteenth-century culture Thomas Grey; 7. Representation and musical portraiture in the twentieth century Joshua S. Walden; 8. Representational conundrums: music and early modern dance Davinia Caddy; Part III. Musical Representations in Opera and Cinema: 9. Allusive representations: homoerotics in Wagner's Tristan Laurence Dreyfus; 10. Der Dichter spricht: self-representation in Parsifal Karol Berger; 11. Memory and the leitmotif in cinema Giorgio Biancorosso; 12. Self-representation in music: the case of Hindemith's meta-opera Cardillac Hermann Danuser, translated by J. Bradford Robinson; Part IV. Music, Representation, and the Concepts of East and West: 13. Doing more than representing Western music Rachel Beckles Willson; 14. The persistence of Orientalism in the postmodern operas of Adams and Sellars W. Anthony Sheppard; Afterword: what else? Richard Taruskin.
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