Andere Kunden interessierten sich auch für
![Greek Media In The Eyes of The Turkish Media]( "Greek Media In The Eyes of The Turkish Media")
Greek Media In The Eyes of The Turkish Media32,99 €![Gender Representations in BET'S '106]( "Gender Representations in BET'S '106")
Gender Representations in BET'S '10632,99 €![Volunteering and Communication ¿ Volume 2]( "Volunteering and Communication ¿ Volume 2")
Volunteering and Communication ¿ Volume 245,75 €![The Perception of Muslim Immigrants through Society and the Media]( "The Perception of Muslim Immigrants through Society and the Media")
The Perception of Muslim Immigrants through Society and the Media17,95 €![Recent Immigrants as an]( "Recent Immigrants as an")
Recent Immigrants as an "Alternate Civic Core"38,99 €![Trans Representations in Contemporary, Popular Cinema]( "Trans Representations in Contemporary, Popular Cinema")
Trans Representations in Contemporary, Popular Cinema194,99 €![Intermedial Representations of 9/11 in U.S. American and German Newspapers]( "Intermedial Representations of 9/11 in U.S. American and German Newspapers")
Intermedial Representations of 9/11 in U.S. American and German Newspapers128,20 €
Since their arrival into Germany in the 1960s,
Turkish immigrants have always drawn the attention of
filmmakers. The German immigrant cinema of the 1970s
and 1980s focused on the harsh living and working
conditions of these immigrants; however, it very
often depicted immigrants in one-dimensional roles.
Since the mid-1990s, however, there has been a change
in the portrayals of Turkish immigrants in a new wave
of films made by young German-Turkish filmmakers
challenging cultural stereotypes about Turks. This
book examines one film from the earlier phase of
migrant cinema Tevfik Baser s 40 Square Meters of
Germany (1986) and one film from the most recent
phase Fatih Akin s Head-On (2004)
and aims to demonstrate how Turkish immigrants are
represented in these films and whether the cinematic
representations of the Turkish immigrants have
changed over the years.
Turkish immigrants have always drawn the attention of
filmmakers. The German immigrant cinema of the 1970s
and 1980s focused on the harsh living and working
conditions of these immigrants; however, it very
often depicted immigrants in one-dimensional roles.
Since the mid-1990s, however, there has been a change
in the portrayals of Turkish immigrants in a new wave
of films made by young German-Turkish filmmakers
challenging cultural stereotypes about Turks. This
book examines one film from the earlier phase of
migrant cinema Tevfik Baser s 40 Square Meters of
Germany (1986) and one film from the most recent
phase Fatih Akin s Head-On (2004)
and aims to demonstrate how Turkish immigrants are
represented in these films and whether the cinematic
representations of the Turkish immigrants have
changed over the years.