Representing Hip Hop Histories, Politics and Practices in Australia
Herausgeber: Rodger, Dianne; Dowsett, Sudiipta; Marie, Lucas; Saunders, Grant Leigh
Representing Hip Hop Histories, Politics and Practices in Australia
Herausgeber: Rodger, Dianne; Dowsett, Sudiipta; Marie, Lucas; Saunders, Grant Leigh
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This long-awaited volume is the first to focus entirely on Hip Hop in Australia. Bringing together both scholarly and practitioner perspectives, across eleven chapters, contributors explore the diversity of identities, communities, practices, and expressions that make-up Hip-Hop in Australia.
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This long-awaited volume is the first to focus entirely on Hip Hop in Australia. Bringing together both scholarly and practitioner perspectives, across eleven chapters, contributors explore the diversity of identities, communities, practices, and expressions that make-up Hip-Hop in Australia.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 220
- Erscheinungstermin: 23. September 2024
- Englisch
- Abmessung: 234mm x 156mm
- ISBN-13: 9781032492490
- ISBN-10: 103249249X
- Artikelnr.: 70602408
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 220
- Erscheinungstermin: 23. September 2024
- Englisch
- Abmessung: 234mm x 156mm
- ISBN-13: 9781032492490
- ISBN-10: 103249249X
- Artikelnr.: 70602408
Sudiipta Dowsett is a Research Associate in the Faculty of Art, Design and Architecture at the University of New South Wales, Australia. Lucas Marie is the Deputy Director for Culture, at the Centre for Defence Leadership & Ethics (CDLE), at the Australian Defence College, Canberra. Dianne Rodger is Senior Lecturer in the Department of Anthropology and Development Studies at the University of Adelaide, Australia. Grant Leigh Saunders is a Biripi First Nations independent researcher, Aboriginal studies lecturer and award-winning filmmaker.
Introduction: Representing Hip Hop in Australia Section 1: Hip Hop
Histories, Eras and Evolutions 1. Graffiti and Hip Hop in Australia: An
Interview with Matthew MISTERY Peet 2. From Gen X to Gen Y: Hip-Hop
Life-Stories in Australia 3. Revisiting Nationalism and Multiculturalism in
So-called Australian Hip-Hop Section 2: Hip Hop Activism and Politics 4.
Hip-Hop, Activism and Other Stories (Herstory) 5. 'Hip Hop Crim' - A
Discourse Analysis of Conscious First Nations Hip Hop Contesting
Australia's Criminal Justice System 6. "We Need to Infiltrate Those
Spaces": Space-Reclaiming through Counternarratives in First Nations
Hip-Hop in Sydney 7. 'Hip-Hop Fam' or a Larrikin Brand? Urthboy and the
Bind of the Conscious MC Section 3: Hip Hop Performance Practices and Place
8. Hip Hop Dance Jams and Cyphers 9. Pirlapakarnu Cypher: Beyond
Representing Place to Warlpiri Embodiments of Country in Milpirri Hip Hop
10. 'Who is this Imposter?': Women in Australian Underground Hip Hop 11.
"In a Good Way There's No Beef, but the Bad Thing is There's No Beef":
Tensions and Changing Cultural Politics in Sydney's Breaking Scene.
Histories, Eras and Evolutions 1. Graffiti and Hip Hop in Australia: An
Interview with Matthew MISTERY Peet 2. From Gen X to Gen Y: Hip-Hop
Life-Stories in Australia 3. Revisiting Nationalism and Multiculturalism in
So-called Australian Hip-Hop Section 2: Hip Hop Activism and Politics 4.
Hip-Hop, Activism and Other Stories (Herstory) 5. 'Hip Hop Crim' - A
Discourse Analysis of Conscious First Nations Hip Hop Contesting
Australia's Criminal Justice System 6. "We Need to Infiltrate Those
Spaces": Space-Reclaiming through Counternarratives in First Nations
Hip-Hop in Sydney 7. 'Hip-Hop Fam' or a Larrikin Brand? Urthboy and the
Bind of the Conscious MC Section 3: Hip Hop Performance Practices and Place
8. Hip Hop Dance Jams and Cyphers 9. Pirlapakarnu Cypher: Beyond
Representing Place to Warlpiri Embodiments of Country in Milpirri Hip Hop
10. 'Who is this Imposter?': Women in Australian Underground Hip Hop 11.
"In a Good Way There's No Beef, but the Bad Thing is There's No Beef":
Tensions and Changing Cultural Politics in Sydney's Breaking Scene.
Introduction: Representing Hip Hop in Australia Section 1: Hip Hop
Histories, Eras and Evolutions 1. Graffiti and Hip Hop in Australia: An
Interview with Matthew MISTERY Peet 2. From Gen X to Gen Y: Hip-Hop
Life-Stories in Australia 3. Revisiting Nationalism and Multiculturalism in
So-called Australian Hip-Hop Section 2: Hip Hop Activism and Politics 4.
Hip-Hop, Activism and Other Stories (Herstory) 5. 'Hip Hop Crim' - A
Discourse Analysis of Conscious First Nations Hip Hop Contesting
Australia's Criminal Justice System 6. "We Need to Infiltrate Those
Spaces": Space-Reclaiming through Counternarratives in First Nations
Hip-Hop in Sydney 7. 'Hip-Hop Fam' or a Larrikin Brand? Urthboy and the
Bind of the Conscious MC Section 3: Hip Hop Performance Practices and Place
8. Hip Hop Dance Jams and Cyphers 9. Pirlapakarnu Cypher: Beyond
Representing Place to Warlpiri Embodiments of Country in Milpirri Hip Hop
10. 'Who is this Imposter?': Women in Australian Underground Hip Hop 11.
"In a Good Way There's No Beef, but the Bad Thing is There's No Beef":
Tensions and Changing Cultural Politics in Sydney's Breaking Scene.
Histories, Eras and Evolutions 1. Graffiti and Hip Hop in Australia: An
Interview with Matthew MISTERY Peet 2. From Gen X to Gen Y: Hip-Hop
Life-Stories in Australia 3. Revisiting Nationalism and Multiculturalism in
So-called Australian Hip-Hop Section 2: Hip Hop Activism and Politics 4.
Hip-Hop, Activism and Other Stories (Herstory) 5. 'Hip Hop Crim' - A
Discourse Analysis of Conscious First Nations Hip Hop Contesting
Australia's Criminal Justice System 6. "We Need to Infiltrate Those
Spaces": Space-Reclaiming through Counternarratives in First Nations
Hip-Hop in Sydney 7. 'Hip-Hop Fam' or a Larrikin Brand? Urthboy and the
Bind of the Conscious MC Section 3: Hip Hop Performance Practices and Place
8. Hip Hop Dance Jams and Cyphers 9. Pirlapakarnu Cypher: Beyond
Representing Place to Warlpiri Embodiments of Country in Milpirri Hip Hop
10. 'Who is this Imposter?': Women in Australian Underground Hip Hop 11.
"In a Good Way There's No Beef, but the Bad Thing is There's No Beef":
Tensions and Changing Cultural Politics in Sydney's Breaking Scene.