Representing Sylvia Plath
Herausgeber: Bayley, Sally; Brain, Tracy
Representing Sylvia Plath
Herausgeber: Bayley, Sally; Brain, Tracy
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An exploration of the elusive nature of representation in Plath's poetry and the various versions of her that readers encounter.
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An exploration of the elusive nature of representation in Plath's poetry and the various versions of her that readers encounter.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 264
- Erscheinungstermin: 4. Januar 2013
- Englisch
- Abmessung: 235mm x 157mm x 19mm
- Gewicht: 540g
- ISBN-13: 9781107006751
- ISBN-10: 1107006759
- Artikelnr.: 33155485
- Verlag: Cambridge University Press
- Seitenzahl: 264
- Erscheinungstermin: 4. Januar 2013
- Englisch
- Abmessung: 235mm x 157mm x 19mm
- Gewicht: 540g
- ISBN-13: 9781107006751
- ISBN-10: 1107006759
- Artikelnr.: 33155485
Introduction: 'Purdah' and the enigma of representation Sally Bayley and
Tracy Brain; Part I. Contexts: 1. 'Mailed into space': on Sylvia Plath's
letters Jonathan Ellis; 2. 'The photographic chamber of the eye': Plath
photography, and the post-confessional muse Anita Helle; 3. 'O the tangles
of that old bed': fantasies of incest and the 'Daddy' narrative in Ariel
Lynda K. Bundtzen; 4. Plath and torture: cultural contexts for Plath's
imagery of the Holocaust Steven Gould Axelrod; Part II. Poetics and
Composition: 5. 'The trees of the mind are black, the light is blue':
sublime encounters in Sylvia Plath's tree poems Sally Bayley; 6. Coming to
terms with colour: Plath's visual aesthetic Laure de Nervaux-Gavoty; 7.
Madonna (of the refrigerator): mapping Sylvia Plath's double in 'The
Babysitters' drafts Kathleen Connors; 8. 'Procrustean identity': Sylvia
Plath's women's magazine fiction Luke Ferretter; Part III. Representation:
9. Confession, contrition, and concealment: evoking Plath in Ted Hughes's
'Howls and Whispers' Lynda K. Bundtzen; 10. Fictionalising Sylvia Plath
Tracy Brain; 11. Primary representations: three artists respond to Sylvia
Plath; Adolescent Plath - 'the girl who would be God' Suzie Hanna; Bodily
imprints: a choreographic response to Sylvia Plath's Poppy Poems Kate Flatt
(with Sally Bayley); Stella Vine's peanut crunching Plath Sally Bayley;
Bibliography; Index.
Tracy Brain; Part I. Contexts: 1. 'Mailed into space': on Sylvia Plath's
letters Jonathan Ellis; 2. 'The photographic chamber of the eye': Plath
photography, and the post-confessional muse Anita Helle; 3. 'O the tangles
of that old bed': fantasies of incest and the 'Daddy' narrative in Ariel
Lynda K. Bundtzen; 4. Plath and torture: cultural contexts for Plath's
imagery of the Holocaust Steven Gould Axelrod; Part II. Poetics and
Composition: 5. 'The trees of the mind are black, the light is blue':
sublime encounters in Sylvia Plath's tree poems Sally Bayley; 6. Coming to
terms with colour: Plath's visual aesthetic Laure de Nervaux-Gavoty; 7.
Madonna (of the refrigerator): mapping Sylvia Plath's double in 'The
Babysitters' drafts Kathleen Connors; 8. 'Procrustean identity': Sylvia
Plath's women's magazine fiction Luke Ferretter; Part III. Representation:
9. Confession, contrition, and concealment: evoking Plath in Ted Hughes's
'Howls and Whispers' Lynda K. Bundtzen; 10. Fictionalising Sylvia Plath
Tracy Brain; 11. Primary representations: three artists respond to Sylvia
Plath; Adolescent Plath - 'the girl who would be God' Suzie Hanna; Bodily
imprints: a choreographic response to Sylvia Plath's Poppy Poems Kate Flatt
(with Sally Bayley); Stella Vine's peanut crunching Plath Sally Bayley;
Bibliography; Index.
Introduction: 'Purdah' and the enigma of representation Sally Bayley and
Tracy Brain; Part I. Contexts: 1. 'Mailed into space': on Sylvia Plath's
letters Jonathan Ellis; 2. 'The photographic chamber of the eye': Plath
photography, and the post-confessional muse Anita Helle; 3. 'O the tangles
of that old bed': fantasies of incest and the 'Daddy' narrative in Ariel
Lynda K. Bundtzen; 4. Plath and torture: cultural contexts for Plath's
imagery of the Holocaust Steven Gould Axelrod; Part II. Poetics and
Composition: 5. 'The trees of the mind are black, the light is blue':
sublime encounters in Sylvia Plath's tree poems Sally Bayley; 6. Coming to
terms with colour: Plath's visual aesthetic Laure de Nervaux-Gavoty; 7.
Madonna (of the refrigerator): mapping Sylvia Plath's double in 'The
Babysitters' drafts Kathleen Connors; 8. 'Procrustean identity': Sylvia
Plath's women's magazine fiction Luke Ferretter; Part III. Representation:
9. Confession, contrition, and concealment: evoking Plath in Ted Hughes's
'Howls and Whispers' Lynda K. Bundtzen; 10. Fictionalising Sylvia Plath
Tracy Brain; 11. Primary representations: three artists respond to Sylvia
Plath; Adolescent Plath - 'the girl who would be God' Suzie Hanna; Bodily
imprints: a choreographic response to Sylvia Plath's Poppy Poems Kate Flatt
(with Sally Bayley); Stella Vine's peanut crunching Plath Sally Bayley;
Bibliography; Index.
Tracy Brain; Part I. Contexts: 1. 'Mailed into space': on Sylvia Plath's
letters Jonathan Ellis; 2. 'The photographic chamber of the eye': Plath
photography, and the post-confessional muse Anita Helle; 3. 'O the tangles
of that old bed': fantasies of incest and the 'Daddy' narrative in Ariel
Lynda K. Bundtzen; 4. Plath and torture: cultural contexts for Plath's
imagery of the Holocaust Steven Gould Axelrod; Part II. Poetics and
Composition: 5. 'The trees of the mind are black, the light is blue':
sublime encounters in Sylvia Plath's tree poems Sally Bayley; 6. Coming to
terms with colour: Plath's visual aesthetic Laure de Nervaux-Gavoty; 7.
Madonna (of the refrigerator): mapping Sylvia Plath's double in 'The
Babysitters' drafts Kathleen Connors; 8. 'Procrustean identity': Sylvia
Plath's women's magazine fiction Luke Ferretter; Part III. Representation:
9. Confession, contrition, and concealment: evoking Plath in Ted Hughes's
'Howls and Whispers' Lynda K. Bundtzen; 10. Fictionalising Sylvia Plath
Tracy Brain; 11. Primary representations: three artists respond to Sylvia
Plath; Adolescent Plath - 'the girl who would be God' Suzie Hanna; Bodily
imprints: a choreographic response to Sylvia Plath's Poppy Poems Kate Flatt
(with Sally Bayley); Stella Vine's peanut crunching Plath Sally Bayley;
Bibliography; Index.