Linda Nochlin (1931-2017) was Lila Acheson Wallace Professor Emerita of Modern Art at the New York University Institute of Fine Arts. She wrote extensively on issues of gender in art history and on 19th-century Realism. Her numerous publications include Women, Art and Power, Representing Women and Courbet, as well as the pioneering essay from 1971: 'Why Have There Been No Great Women Artists?'
Introduction: Memoirs of an Ad Hoc Art Historian
1. The Myth of the Woman Warrior
2. Géricault: The Absence of Women
3. The Image of the Working Woman
4. Courbet's Real Allegory: Rereading The Painter's Studio
5. A House Is Not a Home: Degas and the Subversion of the Family
6. Mary Cassatt's Modernity
7. Body Politics: Seurat's Poseuses
