This book examines a selection of texts to illuminate how midwifery, obstetrics and women's bodies were viewed during the long eighteenth century, and how these material-discursive entanglements between science, medicine, literature and culture have shaped society's views of pregnancy, childbirth and reproduction.
This book examines a selection of texts to illuminate how midwifery, obstetrics and women's bodies were viewed during the long eighteenth century, and how these material-discursive entanglements between science, medicine, literature and culture have shaped society's views of pregnancy, childbirth and reproduction.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jennifer S. Henke is a literary and cultural studies scholar, with a PhD from the University of Bremen, Germany. Until recently, she was interim professor in Anglophone Gender Studies at the University of Greifswald, Germany.
Inhaltsangabe
1.PART I Mapping the Field 1.1. Introduction: In the Delivery Room 1.2. Context: Historicising the Reproductive Body 1.3. Framework: Beyond Representationalism 2. PART II Science Sex & Secret Bodies of Knowledge 2.1. Jonathan Swift's Gulliver's Travels (1726) 2.2. John Cleland's Fanny Hill (1749) 2.3. Laurence Sterne's Tristram Shandy (1759) 2.4. Eliza Fenwick's Secresy Or: The Ruin on the Rock (1795) 2.5. Mary Wollstonecraft's Maria Or: The Wrongs of Woman (1798) 2.6. Mary Shelley's Frankenstein Or: The Modern Prometheus (1818) 3. PART III Stitching the Pieces Together 3.1 Stitching 4.Bibliography
1.PART I Mapping the Field 1.1. Introduction: In the Delivery Room 1.2. Context: Historicising the Reproductive Body 1.3. Framework: Beyond Representationalism 2. PART II Science Sex & Secret Bodies of Knowledge 2.1. Jonathan Swift's Gulliver's Travels (1726) 2.2. John Cleland's Fanny Hill (1749) 2.3. Laurence Sterne's Tristram Shandy (1759) 2.4. Eliza Fenwick's Secresy Or: The Ruin on the Rock (1795) 2.5. Mary Wollstonecraft's Maria Or: The Wrongs of Woman (1798) 2.6. Mary Shelley's Frankenstein Or: The Modern Prometheus (1818) 3. PART III Stitching the Pieces Together 3.1 Stitching 4.Bibliography
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