Rereading Shepard draws together 13 original theoretical perspectives on one of America's most important contemporary playwrights. Representing a range of critical appraoches - including semiotics, deconstruction, and feminism - the essays address recent debates emerging in Shepard criticism. These include the status of Shepard's texts within the modernist tradition on the one hand and a developing post-modernism on the other, and the feminist debate over Shepard's drama - does it reinforce a masculinist world or does it provide some oppositional stance toward patriarchal 'master narratives'?
Rereading Shepard draws together 13 original theoretical perspectives on one of America's most important contemporary playwrights. Representing a range of critical appraoches - including semiotics, deconstruction, and feminism - the essays address recent debates emerging in Shepard criticism. These include the status of Shepard's texts within the modernist tradition on the one hand and a developing post-modernism on the other, and the feminist debate over Shepard's drama - does it reinforce a masculinist world or does it provide some oppositional stance toward patriarchal 'master narratives'?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgements Notes on the Contributors Introduction Artifacts: The Early Plays Reconsidered; G.Weales Potential Performance Texts for The Rock Garden and 4 H Club; D.Carroll The Desert and the City: Operation Sidewinder and Shepard's Postmodern Allegory; L.Wilcox Memory and Mind: Sam Shepard's Geography of a Horse Dreamer; G.McCarthy Shepard's Challenge to the Modernist Myths of Origin and Originality: Angel City and True West; S.Rabillard True Stories: Reading the Autobiographic in Cowboy Mouth, 'True Dylan' and Buried Child; A.Wilson Shepard's Family Trilogy and the Conventions of Modern Realism; C.R.Lyons A Kind of Cavorting: Superpresence and Shepard's Family Dramas; D.J.DeRose Speaking without Words: The Myth of Masculine Autonomy in Sam Shepard's Fool for Love; A.C.Hall When a Woman looks: The 'Other' Audience of Shepard's Plays; S.Bennett Lighting out for the Territory within: Field Notes on Shepard's Expressionist Vision; S.Grace 'I Smash the Tools of my Captivity': The Feminine in Sam Shepard's A Lie of the Mind; J.A.Crum A Motel of the Mind: Fool for Love and A Lie of the Mind; F.H.Londr Index
Acknowledgements Notes on the Contributors Introduction Artifacts: The Early Plays Reconsidered; G.Weales Potential Performance Texts for The Rock Garden and 4 H Club; D.Carroll The Desert and the City: Operation Sidewinder and Shepard's Postmodern Allegory; L.Wilcox Memory and Mind: Sam Shepard's Geography of a Horse Dreamer; G.McCarthy Shepard's Challenge to the Modernist Myths of Origin and Originality: Angel City and True West; S.Rabillard True Stories: Reading the Autobiographic in Cowboy Mouth, 'True Dylan' and Buried Child; A.Wilson Shepard's Family Trilogy and the Conventions of Modern Realism; C.R.Lyons A Kind of Cavorting: Superpresence and Shepard's Family Dramas; D.J.DeRose Speaking without Words: The Myth of Masculine Autonomy in Sam Shepard's Fool for Love; A.C.Hall When a Woman looks: The 'Other' Audience of Shepard's Plays; S.Bennett Lighting out for the Territory within: Field Notes on Shepard's Expressionist Vision; S.Grace 'I Smash the Tools of my Captivity': The Feminine in Sam Shepard's A Lie of the Mind; J.A.Crum A Motel of the Mind: Fool for Love and A Lie of the Mind; F.H.Londr Index
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