Researching Secular Music and Dance in the Early United States
Extending the Legacy of Kate Van Winkle Keller
Herausgeber: Lohman, Laura
Researching Secular Music and Dance in the Early United States
Extending the Legacy of Kate Van Winkle Keller
Herausgeber: Lohman, Laura
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This book provides a practical introduction to researching and performing early Anglo-American secular music and dance with attention to their place in society.
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This book provides a practical introduction to researching and performing early Anglo-American secular music and dance with attention to their place in society.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 200
- Erscheinungstermin: 18. Mai 2021
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 499g
- ISBN-13: 9780367483005
- ISBN-10: 0367483009
- Artikelnr.: 62086273
- Verlag: Taylor & Francis
- Seitenzahl: 200
- Erscheinungstermin: 18. Mai 2021
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 499g
- ISBN-13: 9780367483005
- ISBN-10: 0367483009
- Artikelnr.: 62086273
Laura Lohman is Professor of Music and Director at Queens University of Charlotte. Her previous publications in music include Umm Kulthum: Artistic Agency and the Shaping of an Arab Legend, 1967-2007 (2010) and Hail Columbia! American Music and Politics in the Early Nation (2020).
Introduction
David K. Hildebrand and Laura Lohman
Part I Interpreting Material Objects of Music and Dance Culture
1. Early American Secular Music and Its European Sources, 1589-1839: An
Index
Raoul F. Camus
2. Aaron Thompson, His Book of Notes: First American Transcription of
Five Country Dances From the Revolutionary War era Richard C. Spicer
3. A Scrapbooking President and a Few Good Tunes: Researching Early
American Musical Practices through the Jefferson-Randolph Family
Scrapbooks
Laura Lohman
Part II Situating Dance and Its Music in Early American Society
4. Keller's Approach: New Perspectives in Dance History
Heather Blasdale Clarke
5. Successful Campaigns: The Commercialization of Leisure and
Self-Presentation in Early America
Graham Christian
6. Mozart, America's First Waltz-King
Michael Broyles
Part III Research and Contemporary Performance
7. A Practical Guide for Recreating Early American Music: Thoughts after
40 Years in the Trenches
David K. Hildebrand
8. Soundscapes of Tradition: Ancient Fifing and Drumming and the
Embodiment of Place in the Connecticut River Valley
Timothy Murray
9. Imagining Colonial America and the Early Republic in Musical Theater:
Historical Tensions and Creative Possibilities in Dearest Enemy
(1925) and Hamilton (2015)
William A. Everett
Conclusion
Laura Lohman, David K. Hildebrand, and Heather Blasdale Clarke
Postlude
Robert M. Keller, Anne Keller Geraci, and Margaret Keller Dimock
David K. Hildebrand and Laura Lohman
Part I Interpreting Material Objects of Music and Dance Culture
1. Early American Secular Music and Its European Sources, 1589-1839: An
Index
Raoul F. Camus
2. Aaron Thompson, His Book of Notes: First American Transcription of
Five Country Dances From the Revolutionary War era Richard C. Spicer
3. A Scrapbooking President and a Few Good Tunes: Researching Early
American Musical Practices through the Jefferson-Randolph Family
Scrapbooks
Laura Lohman
Part II Situating Dance and Its Music in Early American Society
4. Keller's Approach: New Perspectives in Dance History
Heather Blasdale Clarke
5. Successful Campaigns: The Commercialization of Leisure and
Self-Presentation in Early America
Graham Christian
6. Mozart, America's First Waltz-King
Michael Broyles
Part III Research and Contemporary Performance
7. A Practical Guide for Recreating Early American Music: Thoughts after
40 Years in the Trenches
David K. Hildebrand
8. Soundscapes of Tradition: Ancient Fifing and Drumming and the
Embodiment of Place in the Connecticut River Valley
Timothy Murray
9. Imagining Colonial America and the Early Republic in Musical Theater:
Historical Tensions and Creative Possibilities in Dearest Enemy
(1925) and Hamilton (2015)
William A. Everett
Conclusion
Laura Lohman, David K. Hildebrand, and Heather Blasdale Clarke
Postlude
Robert M. Keller, Anne Keller Geraci, and Margaret Keller Dimock
Introduction
David K. Hildebrand and Laura Lohman
Part I Interpreting Material Objects of Music and Dance Culture
1. Early American Secular Music and Its European Sources, 1589-1839: An
Index
Raoul F. Camus
2. Aaron Thompson, His Book of Notes: First American Transcription of
Five Country Dances From the Revolutionary War era Richard C. Spicer
3. A Scrapbooking President and a Few Good Tunes: Researching Early
American Musical Practices through the Jefferson-Randolph Family
Scrapbooks
Laura Lohman
Part II Situating Dance and Its Music in Early American Society
4. Keller's Approach: New Perspectives in Dance History
Heather Blasdale Clarke
5. Successful Campaigns: The Commercialization of Leisure and
Self-Presentation in Early America
Graham Christian
6. Mozart, America's First Waltz-King
Michael Broyles
Part III Research and Contemporary Performance
7. A Practical Guide for Recreating Early American Music: Thoughts after
40 Years in the Trenches
David K. Hildebrand
8. Soundscapes of Tradition: Ancient Fifing and Drumming and the
Embodiment of Place in the Connecticut River Valley
Timothy Murray
9. Imagining Colonial America and the Early Republic in Musical Theater:
Historical Tensions and Creative Possibilities in Dearest Enemy
(1925) and Hamilton (2015)
William A. Everett
Conclusion
Laura Lohman, David K. Hildebrand, and Heather Blasdale Clarke
Postlude
Robert M. Keller, Anne Keller Geraci, and Margaret Keller Dimock
David K. Hildebrand and Laura Lohman
Part I Interpreting Material Objects of Music and Dance Culture
1. Early American Secular Music and Its European Sources, 1589-1839: An
Index
Raoul F. Camus
2. Aaron Thompson, His Book of Notes: First American Transcription of
Five Country Dances From the Revolutionary War era Richard C. Spicer
3. A Scrapbooking President and a Few Good Tunes: Researching Early
American Musical Practices through the Jefferson-Randolph Family
Scrapbooks
Laura Lohman
Part II Situating Dance and Its Music in Early American Society
4. Keller's Approach: New Perspectives in Dance History
Heather Blasdale Clarke
5. Successful Campaigns: The Commercialization of Leisure and
Self-Presentation in Early America
Graham Christian
6. Mozart, America's First Waltz-King
Michael Broyles
Part III Research and Contemporary Performance
7. A Practical Guide for Recreating Early American Music: Thoughts after
40 Years in the Trenches
David K. Hildebrand
8. Soundscapes of Tradition: Ancient Fifing and Drumming and the
Embodiment of Place in the Connecticut River Valley
Timothy Murray
9. Imagining Colonial America and the Early Republic in Musical Theater:
Historical Tensions and Creative Possibilities in Dearest Enemy
(1925) and Hamilton (2015)
William A. Everett
Conclusion
Laura Lohman, David K. Hildebrand, and Heather Blasdale Clarke
Postlude
Robert M. Keller, Anne Keller Geraci, and Margaret Keller Dimock