The contributors use a variety of theoretical arguments to advance the case for the value of a reflexive engagement between archaeology and fiction.They set out to bring together examples of disparate applications and to focus attention on the need for explicit recognition of the problems and possibilities of such approaches.
The contributors use a variety of theoretical arguments to advance the case for the value of a reflexive engagement between archaeology and fiction.They set out to bring together examples of disparate applications and to focus attention on the need for explicit recognition of the problems and possibilities of such approaches.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Daniël van Helden is a doctoral student at the University of Leicester, UK. His research focuses on the theory, method and nature of archaeological thinking, specifically the concept of identity, as well as the potential of Fuzzy Set Theory and ontological database approaches for archaeology. Robert Witcher is Associate Professor of Archaeology at Durham University, UK, and the editor of the world archaeology journal Antiquity. His research interests include landscape archaeology with a particular focus on the pre-Roman and Roman periods in Italy and the Mediterranean, where he has explored aspects of ancient settlement, agriculture and demography.
Inhaltsangabe
1. Historical fiction and archaeological interpretation: introduction Daniël van Helden and Robert Witcher 2. The cornflakes of prehistory: fact, fiction and imagination in archaeology Caroline Wickham-Jones 3. Voices from the silence Margaret Elphinstone 4. Beyond archaeological narrative: imagined worlds of Neolithic Europe Mark Patton 5. Imagined realities in academic and fictional accounts of the British Mesolithic Donald Henson 6. Walking in someone else's shoes: archaeology, empathy and fiction Daniël van Helden and Robert Witcher 7. The multiverse of fiction: exploring interpretation through community archaeology Francesco Ripanti and Giulia Osti 8. Entering undocumented pasts through playwriting James G. Gibb 9. Encountering the past through slag and storytelling Michael Given 10. Writing wonders: poetry as archaeological method? Erin Kavanagh 11. Ambiguity and omission: creative mediation of the unknowable past Giacomo Savani and Victoria Thompson 12. Spartacus: Blood and Sand (STARZ, 2010): a necessary fiction? Fiona Hobden 13. Archaeology, historical fiction and Classical Reception Studies Joanna Paul 14. Imagining the past through Film and Cultural Studies Andrew B.R. Elliott 15. Archaeological narrative and humour in a post-truth world: the obligatory sum-up article Adrian Praetzellis
1. Historical fiction and archaeological interpretation: introduction Daniël van Helden and Robert Witcher 2. The cornflakes of prehistory: fact, fiction and imagination in archaeology Caroline Wickham-Jones 3. Voices from the silence Margaret Elphinstone 4. Beyond archaeological narrative: imagined worlds of Neolithic Europe Mark Patton 5. Imagined realities in academic and fictional accounts of the British Mesolithic Donald Henson 6. Walking in someone else's shoes: archaeology, empathy and fiction Daniël van Helden and Robert Witcher 7. The multiverse of fiction: exploring interpretation through community archaeology Francesco Ripanti and Giulia Osti 8. Entering undocumented pasts through playwriting James G. Gibb 9. Encountering the past through slag and storytelling Michael Given 10. Writing wonders: poetry as archaeological method? Erin Kavanagh 11. Ambiguity and omission: creative mediation of the unknowable past Giacomo Savani and Victoria Thompson 12. Spartacus: Blood and Sand (STARZ, 2010): a necessary fiction? Fiona Hobden 13. Archaeology, historical fiction and Classical Reception Studies Joanna Paul 14. Imagining the past through Film and Cultural Studies Andrew B.R. Elliott 15. Archaeological narrative and humour in a post-truth world: the obligatory sum-up article Adrian Praetzellis
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