This collection of essays charts the shifting representation of World War II in Italian literature and film from 1943 to the present. The essays examine film genre, cultural history, gender, the Holocaust, emotion studies, shame theory, and environmental studies.
This collection of essays charts the shifting representation of World War II in Italian literature and film from 1943 to the present. The essays examine film genre, cultural history, gender, the Holocaust, emotion studies, shame theory, and environmental studies.
Produktdetails
Produktdetails
The Fairleigh Dickinson University Press Series in Italian Studies
Edited by Thomas Cragin and Laura A. Salsini - Contributions by Gabrielle Orsi; Virginia Picchietti; Thomas Cragin; Rebecca Bauman; Angela Boscolo Berto; Gianluca Fantoni; Simonetta Milli Konewko; Barbara Zaczek and Laura A. Salsini
Inhaltsangabe
Acknowledgments Introduction: Phases in Italy's Representations of World War II Chapter One: Poetic Truth of War: Elsa Morante's "The Sicilian Soldier" Gabrielle Orsi Chapter Two: Brotherhood of Arms: Patriotism, Atlanticism and Sublimation of War in 1950s Italian War Movies Gianluca Fantoni Chapter Three: Responses to Cold War Crisis: La Ciociara from Moravia to De Sica Thomas Cragin Chapter Four: Andremo in città: A Levinasian Witnessing in Edith Bruck's Short Story and Nelo Risi's Film Virginia Picchietti Chapter Five: Spaces of Resistance: The Role of the Mountain in Italy's Partisan War Angela Boscolo Berto Chapter Six: Mysteries of Italian Women Partisans in Luce d'Eramo's Una strana fortuna and in Bruno Morchio's Rossoamaro Barbara Zaczek Chapter Seven: La rappresaglia: Highlighting Female Identity through the Emotion of Shame Simonetta Milli Konewko Chapter Eight: Visions of Virility: Masculinity and Memory in the Italian War Film Rebecca Bauman About the Contributors
Acknowledgments Introduction: Phases in Italy's Representations of World War II Chapter One: Poetic Truth of War: Elsa Morante's "The Sicilian Soldier" Gabrielle Orsi Chapter Two: Brotherhood of Arms: Patriotism, Atlanticism and Sublimation of War in 1950s Italian War Movies Gianluca Fantoni Chapter Three: Responses to Cold War Crisis: La Ciociara from Moravia to De Sica Thomas Cragin Chapter Four: Andremo in città: A Levinasian Witnessing in Edith Bruck's Short Story and Nelo Risi's Film Virginia Picchietti Chapter Five: Spaces of Resistance: The Role of the Mountain in Italy's Partisan War Angela Boscolo Berto Chapter Six: Mysteries of Italian Women Partisans in Luce d'Eramo's Una strana fortuna and in Bruno Morchio's Rossoamaro Barbara Zaczek Chapter Seven: La rappresaglia: Highlighting Female Identity through the Emotion of Shame Simonetta Milli Konewko Chapter Eight: Visions of Virility: Masculinity and Memory in the Italian War Film Rebecca Bauman About the Contributors
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