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"Ladd rightly understands her project as an intervention in a number of intersecting intellectual projects, new modernist studies, new southern studies, and hemispheric American studies. Any scholar interested in such fields will benefit enormously from reading Ladd's valuable book." -- Modern Fiction Studies In a major reinterpretation, Resisting History reveals that women, as subjects of writing and as writing subjects themselves, played a far more important role in shaping the landscape of modernism than scholars previously acknowledged. Barbara Ladd offers powerful new readings of three…mehr

Produktbeschreibung
"Ladd rightly understands her project as an intervention in a number of intersecting intellectual projects, new modernist studies, new southern studies, and hemispheric American studies. Any scholar interested in such fields will benefit enormously from reading Ladd's valuable book." -- Modern Fiction Studies In a major reinterpretation, Resisting History reveals that women, as subjects of writing and as writing subjects themselves, played a far more important role in shaping the landscape of modernism than scholars previously acknowledged. Barbara Ladd offers powerful new readings of three southern writers who reimagined authorship between World War I and the mid-1950s. Resisting History challenges ideas about history as a coherent narrative and about the development of U.S. modernism and points to new histories of literary and cultural modernisms in which the work of women equals that of men.
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Autorenporträt
Barbara Ladd is professor of English at Emory University and the author of Nationalism and the Color Line in George W. Cable, Mark Twain, and William Faulkner.