Restoration of Fresco Painting by Ustad Saif-ur-Rehman - Junaid, Muhammad
32,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 6-10 Tagen
  • Broschiertes Buch

The use of Fresco painting as a wall decoration has been popular around the world since early days. It is during the Mughal era (1526-1857 AD) in the sub-continent when Fresco painting attained its classical zenith which can be witnessed as splendid surface decoration in Maryam Zamani Mosque (15th century) and Wazir Khan Mosque (16th century) in Lahore, Pakistan. The natural decay of sensitive Fresco paintings along with historical buildings with the passage of time, unfavourable climate, and human negligence resulted in deterioration and destruction of these jewels of the past. This study…mehr

Andere Kunden interessierten sich auch für
Produktbeschreibung
The use of Fresco painting as a wall decoration has been popular around the world since early days. It is during the Mughal era (1526-1857 AD) in the sub-continent when Fresco painting attained its classical zenith which can be witnessed as splendid surface decoration in Maryam Zamani Mosque (15th century) and Wazir Khan Mosque (16th century) in Lahore, Pakistan. The natural decay of sensitive Fresco paintings along with historical buildings with the passage of time, unfavourable climate, and human negligence resulted in deterioration and destruction of these jewels of the past. This study documents the contribution of traditional master fresco painter, Saif-ur-Rehman, which took as many as thirty years of his life. Fresco painting is an endangered art; its harmonious restoration can be achieved only by application of traditional materials and methods. In order to prevent further deterioration, there is a dire need of reviving and promoting these traditional arts with the help ofthe remaining few traditional art masters in Pakistan.
Autorenporträt
The author is a Visual Art Practitioner and a Faculty Member at the Department of Art, Design and Architecture, University of Gujrat, Pakistan, having more than 10 years of studio and teaching experience. He participated in Asia Pacific Artist Fellowship Program in National Art studio, Goyang, Museum of Contemporary Art, Korea in 2009.