Simon Goldhill / Robin Osborne (eds.)
Rethinking Revolutions through Ancient Greece
Herausgeber: Goldhill, Simon; Osborne, Robin
Simon Goldhill / Robin Osborne (eds.)
Rethinking Revolutions through Ancient Greece
Herausgeber: Goldhill, Simon; Osborne, Robin
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This book investigates the claims made about classical Greece being the period and place in which Western civilization developed.
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This book investigates the claims made about classical Greece being the period and place in which Western civilization developed.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 336
- Erscheinungstermin: 23. März 2015
- Englisch
- Abmessung: 235mm x 157mm x 23mm
- Gewicht: 638g
- ISBN-13: 9780521862127
- ISBN-10: 0521862124
- Artikelnr.: 22743281
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 336
- Erscheinungstermin: 23. März 2015
- Englisch
- Abmessung: 235mm x 157mm x 23mm
- Gewicht: 638g
- ISBN-13: 9780521862127
- ISBN-10: 0521862124
- Artikelnr.: 22743281
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Simon Goldhill is Professor of Greek at the University of Cambridge and a Fellow of King's College. He has published widely on all aspects of Greek literature and on ancient culture. His books include Reading Greek Tragedy (1986), The Poet's Voice (1989), Foucault's Virginity (1992), Who Needs Greek? (2002), Love, Sex and Tragedy (2004) and The Temple of Jerusalem (2004). He is in demand as a lecturer across Europe and the USA and has appeared regularly on television and radio.
Robin Osborne is Professor of Ancient History at the University of Cambridge and a Fellow of King's College. His numerous publications include Greece in the Making (1996), Archaic and Classical Greek Art (1998), Performance Culture and Athenian Democracy (1999, edited with Simon Goldhill) and Greek Historical Inscriptions from the End of the Peloponnesian War to the Death of Alexander (2003, edited with P. J. Rhodes).
Robin Osborne is Professor of Ancient History at the University of Cambridge and a Fellow of King's College. His numerous publications include Greece in the Making (1996), Archaic and Classical Greek Art (1998), Performance Culture and Athenian Democracy (1999, edited with Simon Goldhill) and Greek Historical Inscriptions from the End of the Peloponnesian War to the Death of Alexander (2003, edited with P. J. Rhodes).
Introduction Robin Osborne; 1. When was the Athenian democratic revolution?
Robin Osborne; 2. Revolutions in human time: age-class in Athens and the
Greekness of Greek revolutions James Davidson; 3. Reflections on the 'Greek
Revolution' in art: from changes in viewing to the transformation of
subjectivity Jas' Elsner; 4. What's in a beard? Rethinking Hadrian's
Hellenism Caroline Vout; 5. Religion and the rationality of the Greek city
Thomas Harrison; 6. Rethinking religious revolution Simon Goldhill; 7.
Paying attention: history as the development of a secular narrative Carolyn
Dewald; 8. Talking about revolution: on political change in fourth-century
Athens and historiographic method Danielle Allen; 9. Was there an Eleatic
revolution in philosophy? Catherine Osborne; 10. The origins of medicine in
the second century AD Helen King; 11. The 'New Music' - so what's new?
Armand D'Angour.
Robin Osborne; 2. Revolutions in human time: age-class in Athens and the
Greekness of Greek revolutions James Davidson; 3. Reflections on the 'Greek
Revolution' in art: from changes in viewing to the transformation of
subjectivity Jas' Elsner; 4. What's in a beard? Rethinking Hadrian's
Hellenism Caroline Vout; 5. Religion and the rationality of the Greek city
Thomas Harrison; 6. Rethinking religious revolution Simon Goldhill; 7.
Paying attention: history as the development of a secular narrative Carolyn
Dewald; 8. Talking about revolution: on political change in fourth-century
Athens and historiographic method Danielle Allen; 9. Was there an Eleatic
revolution in philosophy? Catherine Osborne; 10. The origins of medicine in
the second century AD Helen King; 11. The 'New Music' - so what's new?
Armand D'Angour.
Introduction Robin Osborne; 1. When was the Athenian democratic revolution?
Robin Osborne; 2. Revolutions in human time: age-class in Athens and the
Greekness of Greek revolutions James Davidson; 3. Reflections on the 'Greek
Revolution' in art: from changes in viewing to the transformation of
subjectivity Jas' Elsner; 4. What's in a beard? Rethinking Hadrian's
Hellenism Caroline Vout; 5. Religion and the rationality of the Greek city
Thomas Harrison; 6. Rethinking religious revolution Simon Goldhill; 7.
Paying attention: history as the development of a secular narrative Carolyn
Dewald; 8. Talking about revolution: on political change in fourth-century
Athens and historiographic method Danielle Allen; 9. Was there an Eleatic
revolution in philosophy? Catherine Osborne; 10. The origins of medicine in
the second century AD Helen King; 11. The 'New Music' - so what's new?
Armand D'Angour.
Robin Osborne; 2. Revolutions in human time: age-class in Athens and the
Greekness of Greek revolutions James Davidson; 3. Reflections on the 'Greek
Revolution' in art: from changes in viewing to the transformation of
subjectivity Jas' Elsner; 4. What's in a beard? Rethinking Hadrian's
Hellenism Caroline Vout; 5. Religion and the rationality of the Greek city
Thomas Harrison; 6. Rethinking religious revolution Simon Goldhill; 7.
Paying attention: history as the development of a secular narrative Carolyn
Dewald; 8. Talking about revolution: on political change in fourth-century
Athens and historiographic method Danielle Allen; 9. Was there an Eleatic
revolution in philosophy? Catherine Osborne; 10. The origins of medicine in
the second century AD Helen King; 11. The 'New Music' - so what's new?
Armand D'Angour.