Unsettling the usual ways we think about the relationship between religion and secularism, and focusing on scenes where the Bible shows up as a physical object in eighteenth-century English fiction, this book powerfully argues that the English novel rose with the Bible, not after it.
Unsettling the usual ways we think about the relationship between religion and secularism, and focusing on scenes where the Bible shows up as a physical object in eighteenth-century English fiction, this book powerfully argues that the English novel rose with the Bible, not after it.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kevin Seidel is an Associate Professor of English literature at Eastern Mennonite University in Harrisonburg, Virginia.
Inhaltsangabe
Introduction; Part I. Rethinking the Secular at the Origins of the English Novel: 1. A secular for literary studies; 2. The Bible, the novel, and the veneration of culture; Part II. Versions of Biblical Authority: 3. Sanctifying commodity: the English Bible trade around the Atlantic, 1660-1799; 4. Prop of the state: biblical criticism and the forensic authority of the Bible; 5. Object of intimacy: the devotional uses of the eighteenth-century Bible; Part III. Uses of Scripture for Fiction: 6. Traveling papers: Pilgrim's Progress and the book; 7. Being surprised by providence: Robinson Crusoe as Defoe's theory of fiction; 8. Resilient to narrative: Clarissa after reading; 9. Breaking down shame: narrating trauma and repair in Tristram Shandy.
Introduction; Part I. Rethinking the Secular at the Origins of the English Novel: 1. A secular for literary studies; 2. The Bible, the novel, and the veneration of culture; Part II. Versions of Biblical Authority: 3. Sanctifying commodity: the English Bible trade around the Atlantic, 1660-1799; 4. Prop of the state: biblical criticism and the forensic authority of the Bible; 5. Object of intimacy: the devotional uses of the eighteenth-century Bible; Part III. Uses of Scripture for Fiction: 6. Traveling papers: Pilgrim's Progress and the book; 7. Being surprised by providence: Robinson Crusoe as Defoe's theory of fiction; 8. Resilient to narrative: Clarissa after reading; 9. Breaking down shame: narrating trauma and repair in Tristram Shandy.
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