Documentary scholars have long engaged with the responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for repurposing? This book surveys films and videos that appropriate preexisting footage and theorizes the ethical implications.
Documentary scholars have long engaged with the responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for repurposing? This book surveys films and videos that appropriate preexisting footage and theorizes the ethical implications.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
JAIMIE BARON is an associate professor of film studies at the University of Alberta. She is the author of The Archive Effect: Found Footage and the Audiovisual Experience of History and numerous journal articles and book chapters. She is the director of the Festival of (In)appropriation and co-editor of Docalogue.
Inhaltsangabe
Contents Introduction Reuse, Misuse, Abuse 1 (Re)exposing Intimate Traces 2 Speaking through Others 3 Dislocating the Hegemonic Gaze 4 Reframing the Perpetrator's Gaze 5 Abusing Images Filmography Acknowledgements Bibliography Index