Every reuse of a preexisting recording is, on some level, a misuse, but not all misuses are necessarily unethical. At the same time, there are other instances in which the misuse shades into abuse. Reuse, Misuse and Abuse surveys the range of contemporary films and videos that appropriate preexisting footage in order to theorize their implications.
Every reuse of a preexisting recording is, on some level, a misuse, but not all misuses are necessarily unethical. At the same time, there are other instances in which the misuse shades into abuse. Reuse, Misuse and Abuse surveys the range of contemporary films and videos that appropriate preexisting footage in order to theorize their implications.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
JAIMIE BARON is an associate professor of film studies at the University of Alberta. She is the author of The Archive Effect: Found Footage and the Audiovisual Experience of History and numerous journal articles and book chapters. She is the director of the Festival of (In)appropriation and co-editor of Docalogue.
Inhaltsangabe
Contents Introduction Reuse, Misuse, Abuse 1 (Re)exposing Intimate Traces 2 Speaking through Others 3 Dislocating the Hegemonic Gaze 4 Reframing the Perpetrator's Gaze 5 Abusing Images Filmography Acknowledgements Bibliography Index