28,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 2-4 Wochen
payback
14 °P sammeln
  • Gebundenes Buch

The first book from photographer, Laurent Castellani, with a unique and entrancing collection of photography celebrating dreams, women, onirism and mystery. A study of women where, between shadow and ligh, the grain of the skin the slightest shiver is exacerbated, Laurent Laurent plays the close-up shot as an expression of its relationship to space. A great addition to any photography book collection with a series of images from across the world created by an agoraphobe. His series « Mullholand Drive» was nominated for the Fine Art Photography Awards 2018. His "body" photography received the…mehr

Produktbeschreibung
The first book from photographer, Laurent Castellani, with a unique and entrancing collection of photography celebrating dreams, women, onirism and mystery. A study of women where, between shadow and ligh, the grain of the skin the slightest shiver is exacerbated, Laurent Laurent plays the close-up shot as an expression of its relationship to space. A great addition to any photography book collection with a series of images from across the world created by an agoraphobe. His series « Mullholand Drive» was nominated for the Fine Art Photography Awards 2018. His "body" photography received the price for "editor's distinction" at theLife Framer « human's body » competition.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Being agoraphobic means being constantly confronted with yourself. It's defending an ordinary life. To be agoraphobic is to observe an inner duel where the unconscious always comes out the winner. To go out is to suffer. Laurent build up on this and manage to transform his suffering into a strength. Provoking motionless journeys, experiencing the creation of macro-portrait... The photographer plays with distances and space. His "Mulholland Drive" series, included in the book, was born one summer night under the Cheviré bridge in Nantes. These pictures be witching, timeless, almost frightening, caught in the darkness of an urban setting sign some kind of hatching. Laurent Castellani considers them as his revelation