This study of a hitherto neglected aspect of Liszt and his music aims to restore a balanced view of both man and artist.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Part I: 1. 1830: a revolutionary symphony 2. 1834: Lamennais and Words of a Believer 3. 1848: revolutions and a Mass 4. Weimar: Liszt, the Church and Wagner 5. 1861: Rome, Cardinal Hohenlohe and Princess Wittgenstein 6. 1865: minor orders Part II: 7. Liszt and Palestrina: the plan to reform church music 8. The Masses 9. The psalms 10. The oratorios St Elizabeth and Christus 11. The shorter choral works 12. The late religious works and Les Morts Part III: 13. Liszt's programmatic use of fugue 14. Liszt's Cross motif and the Piano Sonata in B minor 15. Liszt's path as a composer.
Part I: 1. 1830: a revolutionary symphony 2. 1834: Lamennais and Words of a Believer 3. 1848: revolutions and a Mass 4. Weimar: Liszt, the Church and Wagner 5. 1861: Rome, Cardinal Hohenlohe and Princess Wittgenstein 6. 1865: minor orders Part II: 7. Liszt and Palestrina: the plan to reform church music 8. The Masses 9. The psalms 10. The oratorios St Elizabeth and Christus 11. The shorter choral works 12. The late religious works and Les Morts Part III: 13. Liszt's programmatic use of fugue 14. Liszt's Cross motif and the Piano Sonata in B minor 15. Liszt's path as a composer.
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