The commemoration of the Easter Rising centenary in 2016 posed the key question of whether - leaving aside the revolutionary decade (1913-1923) - it was appropriate to talk about a "revolutionary Ireland". The revolutionary decade brought about a change of governance and led to Ireland's independence, but the new Irish Free State fell short of the proclaimed intentions of the imagined republic. This volume offers entirely new work which highlights the historical moments at which it would be possible to talk about a political or social revolution in Ireland, while also considering that in the…mehr
The commemoration of the Easter Rising centenary in 2016 posed the key question of whether - leaving aside the revolutionary decade (1913-1923) - it was appropriate to talk about a "revolutionary Ireland". The revolutionary decade brought about a change of governance and led to Ireland's independence, but the new Irish Free State fell short of the proclaimed intentions of the imagined republic. This volume offers entirely new work which highlights the historical moments at which it would be possible to talk about a political or social revolution in Ireland, while also considering that in the years when Ireland became "the Celtic Tiger", certain social involutions took place. The contributors include independent researchers who write about their topics within a theoretically informed, scholarly, framework. Yet it is precisely their independence from academia that provides their chapters with fresh and multidisciplinary perspectivesHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Constanza del Río is Senior Lecturer in Irish and British literature at the University of Zaragoza, Spain. Her research centres on the contemporary Irish novel and on critical theory. She has written and published articles on Flann O'Brien, William Trevor, Jennifer Johnston, Patrick McCabe, Kate O'Riordan, Eilís Ní Dhuibhne, Sebastian Barry and Seamus Deane. She has been working within the field of Trauma Studies and is now moving into Affect Theory. She has been commissioned to write a chapter for the forthcoming Oxford Handbook of Modern Irish Fiction on the contemporary Irish novel and Trauma Studies. She is co-editor of Memory, Imagination and Desire in Contemporary Anglo-American Literature and Film (Heidelberg: Universitätsverlag Winter, 2004) and of Traumatic Memory and the Ethical, Political and Transhistorical Functions of Literature (London and New York: Palgrave Macmillan, 2017).
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