Antonin Artaud

Revolutionary Messages

Übersetzer: White, Joel

• Gebundenes Buch

Produktbeschreibung

Published here in its entirety in English, Artaud's Revolutionary Messages collects Antonin Artaud's political, aesthetic and philosophical writings during his travels to Mexico in 1936. Written around the same time as his seminal work The Theatre and its Double, it captures a crucial point in Artaud's life shortly before he was admitted to a mental asylum in which he was to spend a significant part of his later life. Revolutionary Messages contains conferences that Artaud gave at the University of Mexico, articles from the daily Mexican newspaper El Nacional Revolucionario and a study of three seminal artists of the time influenced by or from Mexico: Franz Hals, Ortiz Monasterio and Maria Izquierdo. Not only will you gain crucial insight into Artaud's time in Mexico and his vision of a "total revolution," which he places in distinction to Marxist and Surrealist conceptions of revolution, but you will deepen your understanding of the philosophical roots of his theatrical project, which ultimately shaped modern theatre and dance. The publication includes an introduction by the translator, Joel White, and a preface by Professor of European Philosophy, Howard Caygill.

Produktdetails

• Verlag: Bloomsbury Academic
• Seitenzahl: 256
• Erscheinungstermin: 19. September 2024
• Englisch
• Abmessung: 216mm x 138mm x 25mm
• Gewicht: 454g
• ISBN-13: 9781350179028
• ISBN-10: 1350179027
• Artikelnr.: 61331827

Autorenporträt

Antonin Artaud (1896-1948) was a French dramatist, poet, essayist, actor and theatre director, widely recognized as one of the major figures of twentieth-century theatre and the European avant-garde. Artaud's most significant contribution to drama theory is his "Theatre of Cruelty", the ideas of which have been, and continue to be, the subject of influence for modern theatre and contemporary thought. Joel White completed a joint European Masters in Contemporary European Philosophy at Kingston University, UK, (CREMP) and Paris VIII (Saint-Denis), France, and holds a PhD in French Philosophy from King's College London, UK. He has published on the work of Artaud in Performance Philosophy, Shakespeare, and Walter Benjamin in Angelaki: Journal of the Theoretical Humanities. He is current the executive editor of Technophany: Journal of Philosophy and Technology.

Inhaltsangabe

FOREWORD INTRODUCTION Artaud's "Messages" Translating Artaud's
Revolutionary Messages Artaud's "Révolution" Realism or Surrealism The
Double and the Race-principle The Void and Life-Death Ni Droite, Ni Gauche?
I THREE LECTURES DELIVERED AT THE UNIVERSITY OF MEXICO Surrealism and
Revolution Man Against Fate Theatre and the Gods II MEXICO Post-War Theatre
in Paris Open Letter to the Governors of the Mexican States The Universal
Bases of Culture First Contact with the Mexican Revolution Medea Without
Fire Young French Painting and Tradition French Theatre in Search of a Myth
What I Came to Mexico to Do The Eternal Culture of Mexico The False
Superiority of the Elite Eternal Secrets of Culture The Occult Forces of
Mexico The Social Anarchy of Art I Came to Mexico to Flee European
Civilization, III FRANZ HALS. ORTIZ MONASTERIO. MARIA IZQUIERO Franz Hals A
Technician of Stonework: Monasterio The Painting of Maria Izquierdo Maria
Izquierdo Two Notes Mexico and the Primitive Spirit: Maria Izquierdo IV
HAVANA The Eternal Betrayal of White People Theatre in Mexico La Corrida
and Human Sacrifices Red Paint Indians and Metaphysics V THREE TEXTS ON
MEXICO Awakening of the Thunderbird Mexico and Civilisation The Force of
Mexico NOTES BIBLIOGRAPHY INDEX