Rewriting Early America argues the need for a subtler understanding of how post-1945 literary figures represent America's prenational past. Rather than focusing only on how literary representations of the national origins advance political critiques, this book also recognizes the recuperative visions founds in many recent novels and poems.
Rewriting Early America argues the need for a subtler understanding of how post-1945 literary figures represent America's prenational past. Rather than focusing only on how literary representations of the national origins advance political critiques, this book also recognizes the recuperative visions founds in many recent novels and poems.
Acknowledgements Introduction: Contemporary American Literature and Early America Chapter 1: Berryman's Bradstreet and the End(s) of New Criticism Chapter 2: John Barth's Metanarrative Critique, or, History as Literature as Reenactment Chapter 3: Tradition and Critique in Paul Muldoon's "Madoc: A Mystery" Chapter 4: Material Values in Pynchon and Vollmann Chapter 5: The New World(s) of Thomas Pynchon Chapter 6: Silence and Places beyond Power in the Poetry of Susan Howe Conclusion: The Problem of American Origins, Freedom from Power, and Toni Morrison's A Mercy Bibliography Index About the Author
Acknowledgements Introduction: Contemporary American Literature and Early America Chapter 1: Berryman's Bradstreet and the End(s) of New Criticism Chapter 2: John Barth's Metanarrative Critique, or, History as Literature as Reenactment Chapter 3: Tradition and Critique in Paul Muldoon's "Madoc: A Mystery" Chapter 4: Material Values in Pynchon and Vollmann Chapter 5: The New World(s) of Thomas Pynchon Chapter 6: Silence and Places beyond Power in the Poetry of Susan Howe Conclusion: The Problem of American Origins, Freedom from Power, and Toni Morrison's A Mercy Bibliography Index About the Author
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