The twenty-four essays in Rewriting Texts Remaking Images: Interdisciplinary Perspectives examine the complex relationships between original creative works and subsequent versions of these originals, from both theoretical and pragmatic perspectives. The process involves the rereading, reinterpretation, and rediscovery of literary texts, paintings, photographs, and films, as well as the consideration of issues pertaining to adaptation, intertextuality, transcodification, ekphrasis, parody, translation, and revision. The interdisciplinary analyses consider works from classical antiquity to the…mehr
The twenty-four essays in Rewriting Texts Remaking Images: Interdisciplinary Perspectives examine the complex relationships between original creative works and subsequent versions of these originals, from both theoretical and pragmatic perspectives. The process involves the rereading, reinterpretation, and rediscovery of literary texts, paintings, photographs, and films, as well as the consideration of issues pertaining to adaptation, intertextuality, transcodification, ekphrasis, parody, translation, and revision. The interdisciplinary analyses consider works from classical antiquity to the present day, in a number of literatures, and include such topics as the reuse and resemantization of photographs and iconic images.
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Inhaltsangabe
Contents: Anderson Araujo: «Pictures and Voices»: Virginia Woolf's Three Guineas as Anti-archive - Rohini Bannerjee: Diasporas of Pain: Re-discovery and Re-writing of Mauritian History in Natacha Appanah's Novel Le dernier frère - Jean-Pierre De Villers: Rediscovering the First Manifesto of Futurism of F.T. Marinetti: From the First Manifesto to the Invention of the Avant-Garde - François Foley: Re-constructing Akhenaten: The Many Faces of a Pharaoh in Naguib Mahfouz's Akhenaten, Dweller in Truth - Lindsay Kaplan: The Political Artist: Picasso's Wartime Production and Wartime's Production of Picasso - Anne Urbancic: The Invasion of Belgium (1914): Memory and the Re-writing of History - John Baird: Re-writing Waverley: History and Secret History in Thackeray's Henry Esmond - Anton Jansen: Heracles and Friendship in Euripedes and T.S. Eliot - Carol Merriam: Re-writing Grief: Edna St. Vincent Millay's Recrafting of Ancient Poetry of Grief and Loss - Roberto Nickel: Recovering Paris: From the Erotic to the Heroic - Kate O'Neill: Re-writing the Colonial Experience: Robertson Davies' Use of Parody in Tempest-Tost - Sébastien Roldan: Out of Ahab and into Dean's Car: A Comparative Study of Two Literary Vehicles - Andrew Stubbs: «Writing as Re-vision»: Time, Space, and the (Re)Making of Mrs. Bentley in Sinclair Ross, Lorna Crozier, and Dennis Cooley - Elizabeth C. D'Angelo: Subjection and the Creation of the Subject: Negotiating a Dissident Identity in the Poetry of Aemilia Lanyer - R. Bruce Elder: On Being a Modern Poet - J. Douglas Kneale: The Translation of the Feelings: Ekphrasis in the Work of W.G. Sebald - Catherine J. Manning: «The Goddess Seemed More Savage than Was Fair» - Erotic Encounters in Titian's Diana and Actaeon - Catherine Parayre: About(disfigured)faces: Sophie Calle's Suite Vénitienne and W.G. Sebald's Austerlitz - Alla Boldina/Michael De Vito: Virginia Woolf's «The Lady in the Looking-Glass»: The Image of Simulated Illusion - Marzia Caporale: «We are not in Hollywood anymore»: Female Representation and Spatial Relations in Jacques Doillon's Film Raja - Catherine Heard: Unspeakable Anatomies - Brian Lightbody: Re-writing the Script of Power: A Celebration of the Artifactual - Nancy Pedri: The Forbidden Narratives of Looking: Photography and the Anxiety of Self-Representation - Rosa Saverino: Autobiography, Photography, and Intertextuality: Rewriting Autobiography in Sophie Calle's Double Game.
Contents: Anderson Araujo: «Pictures and Voices»: Virginia Woolf's Three Guineas as Anti-archive - Rohini Bannerjee: Diasporas of Pain: Re-discovery and Re-writing of Mauritian History in Natacha Appanah's Novel Le dernier frère - Jean-Pierre De Villers: Rediscovering the First Manifesto of Futurism of F.T. Marinetti: From the First Manifesto to the Invention of the Avant-Garde - François Foley: Re-constructing Akhenaten: The Many Faces of a Pharaoh in Naguib Mahfouz's Akhenaten, Dweller in Truth - Lindsay Kaplan: The Political Artist: Picasso's Wartime Production and Wartime's Production of Picasso - Anne Urbancic: The Invasion of Belgium (1914): Memory and the Re-writing of History - John Baird: Re-writing Waverley: History and Secret History in Thackeray's Henry Esmond - Anton Jansen: Heracles and Friendship in Euripedes and T.S. Eliot - Carol Merriam: Re-writing Grief: Edna St. Vincent Millay's Recrafting of Ancient Poetry of Grief and Loss - Roberto Nickel: Recovering Paris: From the Erotic to the Heroic - Kate O'Neill: Re-writing the Colonial Experience: Robertson Davies' Use of Parody in Tempest-Tost - Sébastien Roldan: Out of Ahab and into Dean's Car: A Comparative Study of Two Literary Vehicles - Andrew Stubbs: «Writing as Re-vision»: Time, Space, and the (Re)Making of Mrs. Bentley in Sinclair Ross, Lorna Crozier, and Dennis Cooley - Elizabeth C. D'Angelo: Subjection and the Creation of the Subject: Negotiating a Dissident Identity in the Poetry of Aemilia Lanyer - R. Bruce Elder: On Being a Modern Poet - J. Douglas Kneale: The Translation of the Feelings: Ekphrasis in the Work of W.G. Sebald - Catherine J. Manning: «The Goddess Seemed More Savage than Was Fair» - Erotic Encounters in Titian's Diana and Actaeon - Catherine Parayre: About(disfigured)faces: Sophie Calle's Suite Vénitienne and W.G. Sebald's Austerlitz - Alla Boldina/Michael De Vito: Virginia Woolf's «The Lady in the Looking-Glass»: The Image of Simulated Illusion - Marzia Caporale: «We are not in Hollywood anymore»: Female Representation and Spatial Relations in Jacques Doillon's Film Raja - Catherine Heard: Unspeakable Anatomies - Brian Lightbody: Re-writing the Script of Power: A Celebration of the Artifactual - Nancy Pedri: The Forbidden Narratives of Looking: Photography and the Anxiety of Self-Representation - Rosa Saverino: Autobiography, Photography, and Intertextuality: Rewriting Autobiography in Sophie Calle's Double Game.
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