In this book, Erin Kamler brings together feminist international research with the writing, composing, and production of an original musical designed to critique the discourse about the trafficking of women in Thailand. Through this study, Kamler illuminates a theory and praxis that she calls Dramatization as Research, or DAR. Ultimately, Kamler shows how the arts can be used as a feminist communication intervention and a vehicle for understanding the culturaldimension of human rights.
In this book, Erin Kamler brings together feminist international research with the writing, composing, and production of an original musical designed to critique the discourse about the trafficking of women in Thailand. Through this study, Kamler illuminates a theory and praxis that she calls Dramatization as Research, or DAR. Ultimately, Kamler shows how the arts can be used as a feminist communication intervention and a vehicle for understanding the culturaldimension of human rights.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Erin M. Kamler is Assistant Professor at Minerva Schools at KGI and Affiliated Researcher at Chiang Mai University. She is an American writer, composer, and academic researcher who works at the intersection of feminist social justice and the arts.
Inhaltsangabe
* Prologue * Introduction * Chapter 1: Theorizing Dramatization as Research * THE FIELDWORK PHASE * Chapter 2: Setting the Stage: National Identity and the Trafficking of Women in Thailand * Chapter 3: "Smart Raids" and the Victim-Versus-Criminal Narrative * Chapter 4: NGOs and the Rescue Narrative * Chapter 5: Community Based Organizations and the Narrative of Resistance * THE CREATIVE PHASE * Chapter 6: Building the Characters * Chapter 7: Finding the Story * Chapter 8: Embodiment * THE PRODUCTION PHASE * Chapter 9: Articulating NGO Narratives * Chapter 10: Restorative Justice and Reconciliation: NGO Subjectivities * Chapter 11: Articulating Migrant Narratives * Chapter 12: Recollection, Mourning and Witness: Migrant Subjectivities * Chapter 13: Articulating Artist Narratives * Chapter 14: Rupture and Hospitality: Artist Subjectivities * Conclusion: Dramatization as Research: A Feminist Communication Intervention * Appendices * References
* Prologue * Introduction * Chapter 1: Theorizing Dramatization as Research * THE FIELDWORK PHASE * Chapter 2: Setting the Stage: National Identity and the Trafficking of Women in Thailand * Chapter 3: "Smart Raids" and the Victim-Versus-Criminal Narrative * Chapter 4: NGOs and the Rescue Narrative * Chapter 5: Community Based Organizations and the Narrative of Resistance * THE CREATIVE PHASE * Chapter 6: Building the Characters * Chapter 7: Finding the Story * Chapter 8: Embodiment * THE PRODUCTION PHASE * Chapter 9: Articulating NGO Narratives * Chapter 10: Restorative Justice and Reconciliation: NGO Subjectivities * Chapter 11: Articulating Migrant Narratives * Chapter 12: Recollection, Mourning and Witness: Migrant Subjectivities * Chapter 13: Articulating Artist Narratives * Chapter 14: Rupture and Hospitality: Artist Subjectivities * Conclusion: Dramatization as Research: A Feminist Communication Intervention * Appendices * References
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