Providing an account of how to discuss interactions between objects found within and across archives work in theoretically and experientially meaningful ways, this book illustrates how Gloria Anzaldúa's archives contain objects that, when placed together by the rhetor, perform the embodied ways of knowing of which she writes.
Providing an account of how to discuss interactions between objects found within and across archives work in theoretically and experientially meaningful ways, this book illustrates how Gloria Anzaldúa's archives contain objects that, when placed together by the rhetor, perform the embodied ways of knowing of which she writes.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Diana Isabel Martínez is associate professor of communication at Pepperdine University.
Inhaltsangabe
Table of ContentsAcknowledgmentsIntroduction: The Gloria Evangelina Anzaldúa Archives Chapter 1 Archival Impulses: Nepantla as MethodChapter 2 Voices from the Archive: Family Names, Official Documents, and Unofficial Ideologies in the Gloria Anzaldúa PapersChapter 3 Making Experience Public: Contextualizing Anzaldúa's Public Engagements and Redrawing the Boundaries of SpeechChapter 4 Nepantla Autopathograpy and the Politics of CrisisChapter 5 Visuality, Community, and Theories of the Flesh: Art in NepantlaChapter 6 Remembering Gloria Anzaldúa Globally through a Documentary Altar: ALTAR Cruzando Fronteras, Building Bridges*Chapter 7 Finding Anzaldúa: Memorials, Altares, and Her Many Homes Conclusion: Archival Impulses BibliographyAbout the Author
Table of ContentsAcknowledgmentsIntroduction: The Gloria Evangelina Anzaldúa Archives Chapter 1 Archival Impulses: Nepantla as MethodChapter 2 Voices from the Archive: Family Names, Official Documents, and Unofficial Ideologies in the Gloria Anzaldúa PapersChapter 3 Making Experience Public: Contextualizing Anzaldúa's Public Engagements and Redrawing the Boundaries of SpeechChapter 4 Nepantla Autopathograpy and the Politics of CrisisChapter 5 Visuality, Community, and Theories of the Flesh: Art in NepantlaChapter 6 Remembering Gloria Anzaldúa Globally through a Documentary Altar: ALTAR Cruzando Fronteras, Building Bridges*Chapter 7 Finding Anzaldúa: Memorials, Altares, and Her Many Homes Conclusion: Archival Impulses BibliographyAbout the Author
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