Rhythm Changes: Jazz, Culture, Discourse explores the history and development of jazz, addressing the music, its makers, and its social and cultural contexts, as well as the various discourses - especially those of academic analysis and journalistic criticism - that have influenced its creation, interpretation, and reception.
Rhythm Changes: Jazz, Culture, Discourse explores the history and development of jazz, addressing the music, its makers, and its social and cultural contexts, as well as the various discourses - especially those of academic analysis and journalistic criticism - that have influenced its creation, interpretation, and reception.
ALAN STANBRIDGE is an Associate Professor in Music and Culture at the University of Toronto, Canada
Inhaltsangabe
Introduction: The Persistence of Authenticity 1. The Challenge of the Past: Jazz Parody and Jazz Discourse They Brainwash and Teach You Hate: From Parody to Protest It Ain't Necessarily So: From Caricature to Celebration In a Sentimental Mood: From Ridicule to Romanticism Notes 2. A Few of My Favorite Things: Analyzing Jazz Interpreting Irony Assessing Value "Saying Something": Coltrane Irony and 'My Favorite Things' "White Things " Black Things and a Few Other Things "Undeniable Qualities": Homage Value-For and Ideological Hegemony "Myriad Subtleties " Bebop Parody and the Question of Context "We're in the Money": Irony Complexity and Social Normativity Notes 3. My Only Sunshine: Jazz Country Music George Russell and Musical Meaning Way Out West: From Cowhand Sonny to Dangerous Davey Cowboy Favorites: Jazz Meets Country Music You Are My Sunshine: From Singing Cowboys to Gassed Soulsters Happy Endings: George Russell Meets 'You Are My Sunshine' Sunshine Redux: From Kiddies Songs to Kitchen Appliances Notes 4. Divine Revelations: Keith Jarrett Acoustic Authenticity and Romantic Genius Fun With Toys: Miles Electricity and Acoustic Relief A Blazing Forth of a Divine Will: Blank Slates Claptrap and Emphysemic Goats Body and Soul: Sacred Space the State of Grace and Everyday Ecstasy Blessed With Genius: The Flame Itself the Man from Porlock and the Heavenly Ostrich Play On Play On: Robert Bly the Wild Man and the Neglected Male Psyche Touch the Soil: Elemental Instruments Indian Country and the Noble Savage Notes 5. The Body Electric: Music Machines and Mechanical Reproduction I Sing the Body Electric: Aesthetic Materialism Technological Humanism and Electrical Grandmothers Spark of Being: Frankenstein Electricity and the Merging of Text and Form Undervaluing Overdubbing: Jazz Spontaneity and Recording Studio Trickery Essential and Divine: Faithful Fidelity Analogue Authenticity and "exactly what was played" Preserving Spontaneity: Free Improvisation Live Performance and the Paradox of Sound Recording Notes 6. Can Blue Men Sing the Whites? African American Exceptionalism European Stereotypes and the Jazz Studies Debate Getting To Know You: The 'Afrological ' the 'Eurological ' and the Illogical The Anxiety of Affluence: Race Class and European 'Privilege' A Pan-European Conspiracy? Cultural Nationalism Nativist Politics and Foreign Competitors The Emancipation Problem: African American Models and German Belligerents A Delicate Nuanced Approach? Humour Improvisation and Composer-Centred Music Networks of Power: Whiteness Erasure and World Harmony Postscript: Say It Loud I'm British and I'm Proud Notes References Discography Filmography
Introduction: The Persistence of Authenticity 1. The Challenge of the Past: Jazz Parody and Jazz Discourse They Brainwash and Teach You Hate: From Parody to Protest It Ain't Necessarily So: From Caricature to Celebration In a Sentimental Mood: From Ridicule to Romanticism Notes 2. A Few of My Favorite Things: Analyzing Jazz Interpreting Irony Assessing Value "Saying Something": Coltrane Irony and 'My Favorite Things' "White Things " Black Things and a Few Other Things "Undeniable Qualities": Homage Value-For and Ideological Hegemony "Myriad Subtleties " Bebop Parody and the Question of Context "We're in the Money": Irony Complexity and Social Normativity Notes 3. My Only Sunshine: Jazz Country Music George Russell and Musical Meaning Way Out West: From Cowhand Sonny to Dangerous Davey Cowboy Favorites: Jazz Meets Country Music You Are My Sunshine: From Singing Cowboys to Gassed Soulsters Happy Endings: George Russell Meets 'You Are My Sunshine' Sunshine Redux: From Kiddies Songs to Kitchen Appliances Notes 4. Divine Revelations: Keith Jarrett Acoustic Authenticity and Romantic Genius Fun With Toys: Miles Electricity and Acoustic Relief A Blazing Forth of a Divine Will: Blank Slates Claptrap and Emphysemic Goats Body and Soul: Sacred Space the State of Grace and Everyday Ecstasy Blessed With Genius: The Flame Itself the Man from Porlock and the Heavenly Ostrich Play On Play On: Robert Bly the Wild Man and the Neglected Male Psyche Touch the Soil: Elemental Instruments Indian Country and the Noble Savage Notes 5. The Body Electric: Music Machines and Mechanical Reproduction I Sing the Body Electric: Aesthetic Materialism Technological Humanism and Electrical Grandmothers Spark of Being: Frankenstein Electricity and the Merging of Text and Form Undervaluing Overdubbing: Jazz Spontaneity and Recording Studio Trickery Essential and Divine: Faithful Fidelity Analogue Authenticity and "exactly what was played" Preserving Spontaneity: Free Improvisation Live Performance and the Paradox of Sound Recording Notes 6. Can Blue Men Sing the Whites? African American Exceptionalism European Stereotypes and the Jazz Studies Debate Getting To Know You: The 'Afrological ' the 'Eurological ' and the Illogical The Anxiety of Affluence: Race Class and European 'Privilege' A Pan-European Conspiracy? Cultural Nationalism Nativist Politics and Foreign Competitors The Emancipation Problem: African American Models and German Belligerents A Delicate Nuanced Approach? Humour Improvisation and Composer-Centred Music Networks of Power: Whiteness Erasure and World Harmony Postscript: Say It Loud I'm British and I'm Proud Notes References Discography Filmography
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