Gregory Minissale is Associate Professor of Modern and Contemporary Art at the University of Auckland, New Zealand. He specialises in philosophical and psychological approaches to art, and is the author of The Psychology of Contemporary Art (Cambridge, 2013).
Inhaltsangabe
Acknowledgements List of figures Introduction: a rhythm analysis of art Part I. Rhythms of Mind and Matter: 1.1. Philosophical approaches 1.2. Henri Bergson 1.3. Recent mind and matter complications 1.4. The matter of the brain 1.5. The matter of sensation 1.6. Anton Ehrenzweig: daydreaming matter Part II. Rhythms of the Brain and Matter Outside of It: 2.1. Buzsáki 2.2. Metastability across brain, body and art: Pollock 2.3. The aesthetics of mind wandering 2.4. Mind wandering and creativity 2.5. Metastability and emotion Part III. Rhythm, Dirt, Art: 3.1. Emergence 3.2. Henri Matisse 3.3. Cubism 3.4. Surrealism 3.5. Abstraction 3.6. Informel 3.7. Andre Masson 3.8. Jean Fautrier 3.9. Jean Dubuffet 3.10. Antoni Tàpies 3.11. Alberto Burri 3.12. Zen and abstraction 3.13. Further developments in dirty rhythm 3.14. Earth art and trends in contemporary art References.
Acknowledgements List of figures Introduction: a rhythm analysis of art Part I. Rhythms of Mind and Matter: 1.1. Philosophical approaches 1.2. Henri Bergson 1.3. Recent mind and matter complications 1.4. The matter of the brain 1.5. The matter of sensation 1.6. Anton Ehrenzweig: daydreaming matter Part II. Rhythms of the Brain and Matter Outside of It: 2.1. Buzsáki 2.2. Metastability across brain, body and art: Pollock 2.3. The aesthetics of mind wandering 2.4. Mind wandering and creativity 2.5. Metastability and emotion Part III. Rhythm, Dirt, Art: 3.1. Emergence 3.2. Henri Matisse 3.3. Cubism 3.4. Surrealism 3.5. Abstraction 3.6. Informel 3.7. Andre Masson 3.8. Jean Fautrier 3.9. Jean Dubuffet 3.10. Antoni Tàpies 3.11. Alberto Burri 3.12. Zen and abstraction 3.13. Further developments in dirty rhythm 3.14. Earth art and trends in contemporary art References.
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