Edited collection on Richard Barnfield, a lesser known but important early modern English poet who was a contemporary of Shakespeare and wrote homoerotic verse.
Edited collection on Richard Barnfield, a lesser known but important early modern English poet who was a contemporary of Shakespeare and wrote homoerotic verse.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Camilla Caporicci is Associate Professor in English Literature at the University of Perugia, Italy. Fabio Ciambella is a Researcher of English at Sapienza University of Rome, Italy. Cristiano Ragni is a Researcher in English Literature at the University of Verona, Italy.
Inhaltsangabe
Introduction by Camilla Caporicci Fabio Ciambella and Cristiano Ragni Section I: Barnfield's (Re)sources 1. Barnfield at grammar school: Orpheus' 'sad tears' and the rhetoric of pathos Max Riviera (University College London UK) 2. Refashioning Antiquity: Richard Barnfield's Cassandra Cristiano Ragni (University of Verona Italy) 3. Petrarch and Petrarchism in Richard Barnfield's Love Lyrics Shawn Smith (Longwood University USA) Section II: Barnfield and His Contemporaries 4. Richard Barnfield: Patronage Intimacy and Money Andrew Hadfield (University of Sussex UK) 5. The female gaze? Seeing seeming and being seen in Richard Barnfield's Cassandra and Thomas Powell's Loues Leprosie Evgeniia Ganberg (University of Cambridge UK) 6. The Biblical Song of Songs in Richard Barnfield and His Contemporaries Camilla Caporicci (University of Perugia Italy) Section III: In and Out Conventions in Barnfield's Love Poetry 7. The Poetics of Unpersuasion: Barnfield's Affectionate Shepherd and Shakespeare's Venus and Adonis Tania Demetriou (University of Cambridge UK) 8. Beauty on Trial: Aesthetics Law and Eros in Richard Barnfield's Cynthia Danila Sokolov (University of Iceland Iceland) 9. Escaping Conventionality: The 'Barnfieldian' Revolution Mattia Italiano (University of Perugia Italy) 10. Otherwise than (in truth) I meant': Homoeroticism in Richard Barnfield's Poetry" by Harry Matthews (University of Loughborough UK) Section IV: Linguistic and Stylistic Approaches to Barnfield's Poems 11. If Music and Sweet Poetry agree': Structure and Metre in Barnfield's Cynthia Sonnet Alison Steenson (University of Sussex UK) 12. A Stylistic Approach to Irony in Barnfield's Lady Pecunia Aoife Beville (University of Naples Italy) 13. A Corpus Stylistic Analysis of Barnfield's Complete Works Fabio Ciambella (Sapienza University of Rome Italy) Afterword by Will Tosh (Shakespeare's Globe)
Introduction by Camilla Caporicci Fabio Ciambella and Cristiano Ragni Section I: Barnfield's (Re)sources 1. Barnfield at grammar school: Orpheus' 'sad tears' and the rhetoric of pathos Max Riviera (University College London UK) 2. Refashioning Antiquity: Richard Barnfield's Cassandra Cristiano Ragni (University of Verona Italy) 3. Petrarch and Petrarchism in Richard Barnfield's Love Lyrics Shawn Smith (Longwood University USA) Section II: Barnfield and His Contemporaries 4. Richard Barnfield: Patronage Intimacy and Money Andrew Hadfield (University of Sussex UK) 5. The female gaze? Seeing seeming and being seen in Richard Barnfield's Cassandra and Thomas Powell's Loues Leprosie Evgeniia Ganberg (University of Cambridge UK) 6. The Biblical Song of Songs in Richard Barnfield and His Contemporaries Camilla Caporicci (University of Perugia Italy) Section III: In and Out Conventions in Barnfield's Love Poetry 7. The Poetics of Unpersuasion: Barnfield's Affectionate Shepherd and Shakespeare's Venus and Adonis Tania Demetriou (University of Cambridge UK) 8. Beauty on Trial: Aesthetics Law and Eros in Richard Barnfield's Cynthia Danila Sokolov (University of Iceland Iceland) 9. Escaping Conventionality: The 'Barnfieldian' Revolution Mattia Italiano (University of Perugia Italy) 10. Otherwise than (in truth) I meant': Homoeroticism in Richard Barnfield's Poetry" by Harry Matthews (University of Loughborough UK) Section IV: Linguistic and Stylistic Approaches to Barnfield's Poems 11. If Music and Sweet Poetry agree': Structure and Metre in Barnfield's Cynthia Sonnet Alison Steenson (University of Sussex UK) 12. A Stylistic Approach to Irony in Barnfield's Lady Pecunia Aoife Beville (University of Naples Italy) 13. A Corpus Stylistic Analysis of Barnfield's Complete Works Fabio Ciambella (Sapienza University of Rome Italy) Afterword by Will Tosh (Shakespeare's Globe)
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
