Andere Kunden interessierten sich auch für
![The Music of the Future, a Letter to Frederic Villot, by Richard Wagner, Translated by Edward Dannreuther. (Facsimile of 1873 edition).]( "The Music of the Future, a Letter to Frederic Villot, by Richard Wagner, Translated by Edward Dannreuther. (Facsimile of 1873 edition).")
The Music of the Future, a Letter to Frederic Villot, by Richard Wagner, Translated by Edward Dannreuther. (Facsimile of 1873 edition).13,99 €![Richard Strauss and His World]( "Richard Strauss and His World")
Richard Strauss and His World68,99 €![Richard Wagner and the Music of the Future]( "Richard Wagner and the Music of the Future")
Richard Wagner and the Music of the Future45,99 €![Richard Wagner]( "Richard Wagner")
Richard Wagner30,99 €![The Music Dramas Of Richard Wagner V1]( "The Music Dramas Of Richard Wagner V1")
The Music Dramas Of Richard Wagner V124,99 €![Richard Wagner In Venedig (1883)]( "Richard Wagner In Venedig (1883)")
Richard Wagner In Venedig (1883)28,99 €![Letters Of Richard Wagner To Emil Heckel]( "Letters Of Richard Wagner To Emil Heckel")
Letters Of Richard Wagner To Emil Heckel27,99 €
Elektra was the fourth of fifteen operas by Strauss and opened his successful partnership with the librettist Hugo von Hofmannsthal. It is one of the most important operas of the early twentieth century and it solidified Strauss's status as the leading German opera-composer of his day. Bryan Gilliam's study of this major work examines its musical-historical context and also provides a detailed analysis of some of its musical features. He establishes a chronology of the evolution of the opera and places it in the larger framework of German opera of the time. His detailed examination of the sketch-books enables him to offer fresh insight into Strauss's use of motifs and overall tonal structure. In so doing he shows how the work's arresting dissonance and chromaticism has hidden its similarities to his later, seemingly more tonally conservative opera, Der Rosenkavalier - not only does Strauss in both operas exploit a variety of musical styles to express irony, parody, and other emotions, but both are in fact thoroughly tonal.
Bryan Gilliam's study of this major work looks at its musical-historical context: establishing its compositional chronology, examining critical response to the premiere--especially within the context of contemporary German opera. Gilliam, furthermore, explores a number of important, hitherto unexamined Elektra sources including Strauss's musically fresh insight into such issues as the relationship between voice and orchestra, thematic treatment, and tonal organization, all serving to enhance our understanding of this complex and compelling work.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Bryan Gilliam's study of this major work looks at its musical-historical context: establishing its compositional chronology, examining critical response to the premiere--especially within the context of contemporary German opera. Gilliam, furthermore, explores a number of important, hitherto unexamined Elektra sources including Strauss's musically fresh insight into such issues as the relationship between voice and orchestra, thematic treatment, and tonal organization, all serving to enhance our understanding of this complex and compelling work.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.