The contradictions between Wagner's antipathy toward the amorphous entity ""The Jews"" and his genuine friendships with individual Jews, are the subject of this book. Drawing on sources, including his autobiography and the diaries of his second wife, this book places Wagner's anti - Semitism in perspective with his life and work.
The contradictions between Wagner's antipathy toward the amorphous entity ""The Jews"" and his genuine friendships with individual Jews, are the subject of this book. Drawing on sources, including his autobiography and the diaries of his second wife, this book places Wagner's anti - Semitism in perspective with his life and work.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
The late Milton E. Brener was a retired attorney who had written books and numerous articles on such topics as art, opera and Judaica, He lived in New York.
Inhaltsangabe
Table of Contents Acknowledgments Preface A Note on Translation Part I. Zurich 1. The Asyl 2. The Fugitive 3. Minna 4. The Paris Jews 5. The Essay 6. Tausig Part II. Paris and Vienna 7. The Break with Minna 8. Tristan und Isolde 9. Tannhäuser in Paris 10. Vienna 11. Penury 12. Biebrich on the Rhine 13. The Vienna Jews 14. Flight from Creditors Part III. Munich 15. King Ludwig 16. Cosima 17. The First Tristan 18. Exile from Munich Part IV. Lucerne 19. Triebschen 20. Die Meistersinger 21. Cosima's Diaries 22. "Judaism in Music": The Second Publication 23. Das Rheingold Brouhaha 24. The Turn of Die Walküre 25. Wagner and the French 26. Death of Tausig Part V. Bayreuth I: The First Festival 27. Rubinstein and Preparations for The Ring 28. The Scapegoats 29. The First Festival 30. Neumann Part VI. Bayreuth II: Levi and Neumann 31. The Young Hermann Levi 32. The Brahms-Levi Friendship 33. The Breach with Brahms 34. A Study in Malice 35. Declining Health, Worsening Temperament 36. The Strangest Synagogue 37. Distance from Porges, Closeness to Rubinstein 38. Neumann and the Berlin Ring 39. Neumann and the Traveling Wagner Opera Company Part VII. Bayreuth III: The Second Festival 40. Levi and Parsifal 41. Lichtenberg and the Knieses 42. Wagnerphobia 43. Glimpses of the Other Side 44. The Final Days Appendix: "Judaism in Music" Chapter Notes References Index
Table of Contents Acknowledgments Preface A Note on Translation Part I. Zurich 1. The Asyl 2. The Fugitive 3. Minna 4. The Paris Jews 5. The Essay 6. Tausig Part II. Paris and Vienna 7. The Break with Minna 8. Tristan und Isolde 9. Tannhäuser in Paris 10. Vienna 11. Penury 12. Biebrich on the Rhine 13. The Vienna Jews 14. Flight from Creditors Part III. Munich 15. King Ludwig 16. Cosima 17. The First Tristan 18. Exile from Munich Part IV. Lucerne 19. Triebschen 20. Die Meistersinger 21. Cosima's Diaries 22. "Judaism in Music": The Second Publication 23. Das Rheingold Brouhaha 24. The Turn of Die Walküre 25. Wagner and the French 26. Death of Tausig Part V. Bayreuth I: The First Festival 27. Rubinstein and Preparations for The Ring 28. The Scapegoats 29. The First Festival 30. Neumann Part VI. Bayreuth II: Levi and Neumann 31. The Young Hermann Levi 32. The Brahms-Levi Friendship 33. The Breach with Brahms 34. A Study in Malice 35. Declining Health, Worsening Temperament 36. The Strangest Synagogue 37. Distance from Porges, Closeness to Rubinstein 38. Neumann and the Berlin Ring 39. Neumann and the Traveling Wagner Opera Company Part VII. Bayreuth III: The Second Festival 40. Levi and Parsifal 41. Lichtenberg and the Knieses 42. Wagnerphobia 43. Glimpses of the Other Side 44. The Final Days Appendix: "Judaism in Music" Chapter Notes References Index
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