This book presents an informative and stimulating study of an opera that occupies a particular place in music-lovers' affections, yet always has more to reveal. John Warrack traces the evolution of the work from plans for a light comic opera, through all the drafts and the literary influences on them, into the eventual comedy; he then studies the music in depth.
This book presents an informative and stimulating study of an opera that occupies a particular place in music-lovers' affections, yet always has more to reveal. John Warrack traces the evolution of the work from plans for a light comic opera, through all the drafts and the literary influences on them, into the eventual comedy; he then studies the music in depth.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of illustrations General preface Acknowledgements Abbreviations Composition and performance details 1. The sources and genesis of the text John Warrack 2. Synopsis John Warrack 3. Sachs, Beckmesser, and Mastersong John Warrack 4: Sachs and Schopenhauer Lucy Beckett 5. Richard Wagner and Hans Sachs Michael Tanner 6. Die Meistersinger: naive or sentimental art? Lucy Beckett 7. Wahn, words and music John Warrack 8. Stage history Patrick Carnegy Appendices: 1. The Wahn monologue 2. Sachs's final address 3. The original Prize Song Notes Bibliography Index.
List of illustrations General preface Acknowledgements Abbreviations Composition and performance details 1. The sources and genesis of the text John Warrack 2. Synopsis John Warrack 3. Sachs, Beckmesser, and Mastersong John Warrack 4: Sachs and Schopenhauer Lucy Beckett 5. Richard Wagner and Hans Sachs Michael Tanner 6. Die Meistersinger: naive or sentimental art? Lucy Beckett 7. Wahn, words and music John Warrack 8. Stage history Patrick Carnegy Appendices: 1. The Wahn monologue 2. Sachs's final address 3. The original Prize Song Notes Bibliography Index.
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