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A collection of essays on Wollheim??'s philosophy of art; includes a response from Wollheim himself.
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A collection of essays on Wollheim??'s philosophy of art; includes a response from Wollheim himself.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 300
- Erscheinungstermin: 12. November 2015
- Englisch
- Abmessung: 235mm x 157mm x 21mm
- Gewicht: 588g
- ISBN-13: 9780521801744
- ISBN-10: 0521801745
- Artikelnr.: 23184094
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 300
- Erscheinungstermin: 12. November 2015
- Englisch
- Abmessung: 235mm x 157mm x 21mm
- Gewicht: 588g
- ISBN-13: 9780521801744
- ISBN-10: 0521801745
- Artikelnr.: 23184094
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
List of contributors
Relevant works by Richard Wollheim and their abbreviations as used in this volume
Preface
Introduction Rob van Gerwen
Part I. Representation: 1. On pictorial representation Richard Wollheim
2. Wollheim on pictorial representation Jerrold Levinson
3. The limits of twofoldness: a defence of the concept of pictorial thought Andrew Harrison
4. A hypothesis about seeing-in Monique Roelofs
5. Communication and the art of painting Anthony Savile
6. Twofoldedness: from transcendental imagination to pictorial art Paul Crowther
Part II. Expression: 7. Wollheim on correspondence, projective properties and expressive perception Malcolm Budd
8. The artistry of depiction Michael Podro
9. Style and value in the art of painting Carolyn Wilde
10. Expression as representation Rob van Gerwen
11. Wollheim on expression (and representation) Graham McFee
Part III. The Internal Spectator: 12. Viewing making painting Svetlana Alpers
13. The staging of spectatorship Renée van de Vall
14. Presentation or representation Susan L. Feagin
15. The case for the internal spectator: aesthetics or art history? Caroline van Eck
16. The spectator in the picture Robert Hopkins
17. A word on behalf of 'the merely visual' Michael Baxandall
Part IV. Reply: 18. A reply to the contributors Richard Wollheim
Bibliography
Index.
Relevant works by Richard Wollheim and their abbreviations as used in this volume
Preface
Introduction Rob van Gerwen
Part I. Representation: 1. On pictorial representation Richard Wollheim
2. Wollheim on pictorial representation Jerrold Levinson
3. The limits of twofoldness: a defence of the concept of pictorial thought Andrew Harrison
4. A hypothesis about seeing-in Monique Roelofs
5. Communication and the art of painting Anthony Savile
6. Twofoldedness: from transcendental imagination to pictorial art Paul Crowther
Part II. Expression: 7. Wollheim on correspondence, projective properties and expressive perception Malcolm Budd
8. The artistry of depiction Michael Podro
9. Style and value in the art of painting Carolyn Wilde
10. Expression as representation Rob van Gerwen
11. Wollheim on expression (and representation) Graham McFee
Part III. The Internal Spectator: 12. Viewing making painting Svetlana Alpers
13. The staging of spectatorship Renée van de Vall
14. Presentation or representation Susan L. Feagin
15. The case for the internal spectator: aesthetics or art history? Caroline van Eck
16. The spectator in the picture Robert Hopkins
17. A word on behalf of 'the merely visual' Michael Baxandall
Part IV. Reply: 18. A reply to the contributors Richard Wollheim
Bibliography
Index.
List of contributors
Relevant works by Richard Wollheim and their abbreviations as used in this volume
Preface
Introduction Rob van Gerwen
Part I. Representation: 1. On pictorial representation Richard Wollheim
2. Wollheim on pictorial representation Jerrold Levinson
3. The limits of twofoldness: a defence of the concept of pictorial thought Andrew Harrison
4. A hypothesis about seeing-in Monique Roelofs
5. Communication and the art of painting Anthony Savile
6. Twofoldedness: from transcendental imagination to pictorial art Paul Crowther
Part II. Expression: 7. Wollheim on correspondence, projective properties and expressive perception Malcolm Budd
8. The artistry of depiction Michael Podro
9. Style and value in the art of painting Carolyn Wilde
10. Expression as representation Rob van Gerwen
11. Wollheim on expression (and representation) Graham McFee
Part III. The Internal Spectator: 12. Viewing making painting Svetlana Alpers
13. The staging of spectatorship Renée van de Vall
14. Presentation or representation Susan L. Feagin
15. The case for the internal spectator: aesthetics or art history? Caroline van Eck
16. The spectator in the picture Robert Hopkins
17. A word on behalf of 'the merely visual' Michael Baxandall
Part IV. Reply: 18. A reply to the contributors Richard Wollheim
Bibliography
Index.
Relevant works by Richard Wollheim and their abbreviations as used in this volume
Preface
Introduction Rob van Gerwen
Part I. Representation: 1. On pictorial representation Richard Wollheim
2. Wollheim on pictorial representation Jerrold Levinson
3. The limits of twofoldness: a defence of the concept of pictorial thought Andrew Harrison
4. A hypothesis about seeing-in Monique Roelofs
5. Communication and the art of painting Anthony Savile
6. Twofoldedness: from transcendental imagination to pictorial art Paul Crowther
Part II. Expression: 7. Wollheim on correspondence, projective properties and expressive perception Malcolm Budd
8. The artistry of depiction Michael Podro
9. Style and value in the art of painting Carolyn Wilde
10. Expression as representation Rob van Gerwen
11. Wollheim on expression (and representation) Graham McFee
Part III. The Internal Spectator: 12. Viewing making painting Svetlana Alpers
13. The staging of spectatorship Renée van de Vall
14. Presentation or representation Susan L. Feagin
15. The case for the internal spectator: aesthetics or art history? Caroline van Eck
16. The spectator in the picture Robert Hopkins
17. A word on behalf of 'the merely visual' Michael Baxandall
Part IV. Reply: 18. A reply to the contributors Richard Wollheim
Bibliography
Index.