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Riding Pisces brings together a number of hard-to-find and uncollected texts from almost the full extent of Yang Lian's career - from Masks and Crocodiles (Sydney, 1990 - although the translations here are new), from the out-of-print collection Non-Person Singular (London, 1994), from Notes of a Blissful Ghost, published in Hong Kong in 2002, from the Sailor's Home six-handed anthology (Shearsman Books, 2005), and from the as-yet uncollected Dark Blue Verses. For those already familiar with Yang Lian's remarkable long poems, such as Concentric Circles, Where the Sea Stands Still and Yi, this…mehr

Produktbeschreibung
Riding Pisces brings together a number of hard-to-find and uncollected texts from almost the full extent of Yang Lian's career - from Masks and Crocodiles (Sydney, 1990 - although the translations here are new), from the out-of-print collection Non-Person Singular (London, 1994), from Notes of a Blissful Ghost, published in Hong Kong in 2002, from the Sailor's Home six-handed anthology (Shearsman Books, 2005), and from the as-yet uncollected Dark Blue Verses. For those already familiar with Yang Lian's remarkable long poems, such as Concentric Circles, Where the Sea Stands Still and Yi, this volume offers an invaluable opportunity to fill the gaps in their knowledge. "Yang Lian is one of the most astonishing poets I've read for years. He has a westernist, modernist sensibility allied with an ancient Chinese, almost shamanistic one. He can both excite and frighten you-like MacDiarmid meets Rilke with Samurai sword drawn!" - W.N. Herbert, The Scotsman ¿¿¿¿¿
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Autorenporträt
Yang Lian was born in Switzerland in 1955, and grew up in Beijing. He began writing when he was sent to the countryside in the 1970s. On his return to Beijing he became one of the founders of the 'Misty' school of contemporary Chinese poetry. Among other things, Yang Lian is known for his poem sequences and long poems which display a profound understanding of, and creative links with, Classical Chinese poetry. His poems became well-known and influential inside and outside of China in the 1980s, especially when his sequence 'Norilang' was criticized by the Chinese government during the 'Anti-Spiritual Pollution' movement.Yang Lian was invited to visit Australia and New Zealand in 1988 and became a poet in exile after the Tiananmen massacre. Since that time, he has continued to write and speak out as a highly individual voice in world literature, politics and culture. Yang Lian has published twelve collections of poems, two collections of prose and many essays (selected into several selections) in Chinese. His work has also been translated into more than thirty languages, including English, German, French, Italian, Spanish, Japanese, Arabic, Central and Eastern European languages.His work has been described as being "like MacDiarmid meets Rilke with Samurai sword drawn!", as "one of the most representative voices of Chinese literature" and as "one of the great world poets of our era".