This volume sheds new light on the philosophical significance of Rilke's late masterpiece The Sonnets to Orpheus (1923). The volume features eight essays by philosophers, literary critics, and Rilke scholars, which explore a number of the central themes of the Sonnets as well as the significance of their formal qualities.
This volume sheds new light on the philosophical significance of Rilke's late masterpiece The Sonnets to Orpheus (1923). The volume features eight essays by philosophers, literary critics, and Rilke scholars, which explore a number of the central themes of the Sonnets as well as the significance of their formal qualities.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hannah Vandegrift Eldridge is Associate Professor of German at the University of Wisconsin - Madison. Her research focus is literature of the 18th to 20th century, with particular interest in lyric poetry, metrical theory, literature and philosophy, and the relationship between sound and text. Her first monograph, Lyric Orientations: Hölderlin, Rilke, and the Poetics of Community appeared with Cornell University Press in 2015; she has also published on Wittgenstein, Klopstock, Nietzsche, and the contemporary poet Durs Grünbein. Luke Fischer is a philosopher, poet, and scholar of poetry. His books include The Poet as Phenomenologist: Rilke and the "New Poems" (Bloomsbury, 2015) and the poetry collections A Personal History of Vision (UWAP, 2017) and Paths of Flight (Black Pepper, 2013). He has authored and co-edited works on poetry, philosophy, art, and the environment, including the special section "Goethe and Environmentalism" in the Goethe Yearbook (2015). He is an honorary associate of the University of Sydney.
Inhaltsangabe
* Chapter 1. Introduction * Hannah Vandegrift Eldridge and Luke Fischer * Part I: Interiority, World-Disclosure, and Constructivism * Chapter 2. On Inwardness and Place in Rilke's Sonnets to Orpheus * James D. Reid * Chapter 3. Rilke on Formally Disclosing the Meaning of Things * Rick Anthony Furtak * Chapter 4. The Modernism of The Sonnets to Orpheus: Abstraction and Figurality * Hannah Vandegrift Eldridge * Part II: Death, Love, and the Beyond * Chapter 5. Beyond Existentialism: The Orphic Unity of Life and Death * Luke Fischer * Chapter 6. Love in Paramyth: On Rilke's Figuration of the Orpheus-Myth * Christoph Jamme * Chapter 7. The Feminine in Rilke's Sonnets to Orpheus: A Philosophy of Productive Deprivation * Kathleen L. Komar * Part III: Ecocriticism and Animal Ethics * Chapter 8. The Imaginative Ecology of Rilke's Sonnets to Orpheus * Jennifer Anna Gosetti-Ferencei * Chapter 9. The Pozzo Sonnet: Rilke and the Killing of the Doves * David Brooks * Index
* Chapter 1. Introduction * Hannah Vandegrift Eldridge and Luke Fischer * Part I: Interiority, World-Disclosure, and Constructivism * Chapter 2. On Inwardness and Place in Rilke's Sonnets to Orpheus * James D. Reid * Chapter 3. Rilke on Formally Disclosing the Meaning of Things * Rick Anthony Furtak * Chapter 4. The Modernism of The Sonnets to Orpheus: Abstraction and Figurality * Hannah Vandegrift Eldridge * Part II: Death, Love, and the Beyond * Chapter 5. Beyond Existentialism: The Orphic Unity of Life and Death * Luke Fischer * Chapter 6. Love in Paramyth: On Rilke's Figuration of the Orpheus-Myth * Christoph Jamme * Chapter 7. The Feminine in Rilke's Sonnets to Orpheus: A Philosophy of Productive Deprivation * Kathleen L. Komar * Part III: Ecocriticism and Animal Ethics * Chapter 8. The Imaginative Ecology of Rilke's Sonnets to Orpheus * Jennifer Anna Gosetti-Ferencei * Chapter 9. The Pozzo Sonnet: Rilke and the Killing of the Doves * David Brooks * Index
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