A beautifully illustrated catalogue to a major exhibition at the Fitzwilliam Museum, Cambridge, exploring enslavement, rebellion, revolution and Abolitionism through art, 1750â 1850.
A beautifully illustrated catalogue to a major exhibition at the Fitzwilliam Museum, Cambridge, exploring enslavement, rebellion, revolution and Abolitionism through art, 1750â 1850.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Victoria Avery is Keeper of European Sculpture and Decorative Arts at the Fitzwilliam Museum and Professor of European Sculpture at Cambridge University. Her recent publications include Black Atlantic: Power, People, Resistance (2023), Feast & Fast: The Art of Food in Europe, 1500-1800 (2019) and Michelangelo: Sculptor in Bronze (2018). Wanja Kimani is a visual artist, writer and curator whose research explores diasporic cultural histories and the evolving relationship between the body and the land. She has curated and collaborated on international exhibitions with artists, primarily from East Africa. In 2022, she represented Kenya at the 59th Venice Biennale and is currently pursuing a practice-led PhD at Chelsea College of Arts, UAL.
Inhaltsangabe
Foreword - Luke Syson, Director of the Fitzwilliam Museum Introduction Dark finance: the intertwined history of slavery and abolition at the University of Cambridge - Sabine F. Cadeau Introducing Olaudah Equiano, or Gustavus Vassa, The African - Victoria Avery 1. OPPRESSION AND RESISTANCE Seeing against the grain - Mathelinda Nabugodi Olaudah Equiano's roots The 'Africa Trade' Life on British Caribbean plantations Forms of resistance 2. THE BRITISH ANTI-SLAVE TRADE CAMPAIGN Breaking through: Black Georgian voices Cambridge connections Olaudah Equiano and Cambridge - Victoria Avery Ongoing abolition campaigning 3. BRITAIN'S COLONIES IN NOVA SCOTIA AND SIERRA LEONE Nova Scotia: northern exposure Sierra Leone: the 'province of freedom'? 4. REVOLUTIONS IN THE CARRIBEAN Creation of Haiti: republic and kingdom Cambridge and Haiti: slavery, the Haitian Revolution and British abolitionism - Sabine F. Cadeau Tipping points: Barbados, Guyana and Jamaica 5. ENDING BRITISH SLAVERY Women's activism Freedom at last? Celebrating Black Cambridge history MOVING FORWARD I'll think of a title after I write - Wanja Kimani Touching the void: on becoming an art historian and reckoning with slavery at Cambridge - Temi Odumosu Contributors Acknowledgements Picture credits Index
Foreword - Luke Syson, Director of the Fitzwilliam Museum Introduction Dark finance: the intertwined history of slavery and abolition at the University of Cambridge - Sabine F. Cadeau Introducing Olaudah Equiano, or Gustavus Vassa, The African - Victoria Avery 1. OPPRESSION AND RESISTANCE Seeing against the grain - Mathelinda Nabugodi Olaudah Equiano's roots The 'Africa Trade' Life on British Caribbean plantations Forms of resistance 2. THE BRITISH ANTI-SLAVE TRADE CAMPAIGN Breaking through: Black Georgian voices Cambridge connections Olaudah Equiano and Cambridge - Victoria Avery Ongoing abolition campaigning 3. BRITAIN'S COLONIES IN NOVA SCOTIA AND SIERRA LEONE Nova Scotia: northern exposure Sierra Leone: the 'province of freedom'? 4. REVOLUTIONS IN THE CARRIBEAN Creation of Haiti: republic and kingdom Cambridge and Haiti: slavery, the Haitian Revolution and British abolitionism - Sabine F. Cadeau Tipping points: Barbados, Guyana and Jamaica 5. ENDING BRITISH SLAVERY Women's activism Freedom at last? Celebrating Black Cambridge history MOVING FORWARD I'll think of a title after I write - Wanja Kimani Touching the void: on becoming an art historian and reckoning with slavery at Cambridge - Temi Odumosu Contributors Acknowledgements Picture credits Index
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