Risk and Health Communication in an Evolving Media Environment
Herausgeber: O'Hair, H Dan
Risk and Health Communication in an Evolving Media Environment
Herausgeber: O'Hair, H Dan
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Broadcast media has a particular interest with stories that involve risk and health crisis events - contexts where risk and health communication play a vital role. Risk and Health Communication in an Evolving Media Environment addresses issues of risk and health communication with chapters that reflect state-of-the art discussion by top scholars.
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Broadcast media has a particular interest with stories that involve risk and health crisis events - contexts where risk and health communication play a vital role. Risk and Health Communication in an Evolving Media Environment addresses issues of risk and health communication with chapters that reflect state-of-the art discussion by top scholars.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 374
- Erscheinungstermin: 5. Februar 2018
- Englisch
- Abmessung: 161mm x 236mm x 29mm
- Gewicht: 635g
- ISBN-13: 9781138050273
- ISBN-10: 113805027X
- Artikelnr.: 50858734
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Taylor & Francis
- Seitenzahl: 374
- Erscheinungstermin: 5. Februar 2018
- Englisch
- Abmessung: 161mm x 236mm x 29mm
- Gewicht: 635g
- ISBN-13: 9781138050273
- ISBN-10: 113805027X
- Artikelnr.: 50858734
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
H. Dan O'Hair is Dean of the College of Communication and Information and Professor of Communication at the University of Kentucky. He received his PhD in communication from the University of Oklahoma. In 2006, he served as the president of the National Communication Association, the world's largest and oldest professional association devoted to the study of communication. He has published over 100 research articles and scholarly chapters in risk and health communication, media management, and psychology journals and volumes, and has authored and edited 18 books in the areas of communication, risk management, health, and terrorism. He has been the principal investigator or Co-PI for several grants from business, nonprofit, and government institutions totaling more than $11 million. O'Hair has served on the editorial boards of over 30 research journals and is a past editor of the Journal of Applied Communication Research. In April 2013, he was honored by the Broadcast Education Association with their Lifetime Achievement Award for Scholarship.
Introduction; I: Re-defining the Fan; 1: Returning to 'Becoming-a-Fan'
Stories: Theorising Transformational Objects and the Emergence/Extension of
Fandom; 2: Populating the Universe: Toy Collecting and Adult Lives; 3: Much
Ado about Keanu Reeves: The Drama of Ageing in Online Fandom; 4: Music for
(Something Other than) Pleasure: Anti-fans and the Other Side of Popular
Music Appeal 1; 5: A Severe Case of Disliking Bimbo Heidi, Scumbag Jesse
and Bastard Tiger: Analysing Celebrities' Online Anti-fans; 6: Fandom as
Survival in Media Life; 7: From Interpretive Communities to Interpretative
Fairs: Ordinary Fandom, Textual Selection and Digital Media; II: Fans and
Producers; 8: Fan/Celebrity Interactions and Social Media: Connectivity and
Engagement in Lady Gaga Fandom; 9: Fans of Folklore Performances:
Identifying a New Relationship Between Communication and Marketing; 10:
Investors and Patrons, Gatekeepers and Social Capital: Representations and
Experiences of Fans' Participation in Fan Funding; 11: Music Fans as
Mediators in the Age of Digital Reproduction; 12: Celebrity: The Return of
the Repressed in Fan Studies?; 13: Fans Who Cut Their Soaps Queer: A Queer
Theoretical Study into Online Fandom of Gay Television Representation; III:
Localities of Fandom; 14: Transnational Cultural Fandom; 15: Retreating
Behind the Scenes: The 'Less'-Civilizing Impact of Virtual Spaces on the
Irish Heavy Metal Scene; 16: 'Kvlt-er than Thou': Power, Suspicion and
Nostalgia within Black Metal Fandom; 17: A Decade in the Life of Online Fan
Communities; 18: Placing Fan Cultures: Xenites in the Transnational Spaces
of Fandom; 19: Embodied Fantasy: The Affective Space of Anime Conventions;
20: Watching Football in the Fan Park: Mediatization, Spectatorship and Fan
Identity; 21: 'We're Not Racist, We Only Hate Mancs': Post-Subculture and
Football Fandom
Stories: Theorising Transformational Objects and the Emergence/Extension of
Fandom; 2: Populating the Universe: Toy Collecting and Adult Lives; 3: Much
Ado about Keanu Reeves: The Drama of Ageing in Online Fandom; 4: Music for
(Something Other than) Pleasure: Anti-fans and the Other Side of Popular
Music Appeal 1; 5: A Severe Case of Disliking Bimbo Heidi, Scumbag Jesse
and Bastard Tiger: Analysing Celebrities' Online Anti-fans; 6: Fandom as
Survival in Media Life; 7: From Interpretive Communities to Interpretative
Fairs: Ordinary Fandom, Textual Selection and Digital Media; II: Fans and
Producers; 8: Fan/Celebrity Interactions and Social Media: Connectivity and
Engagement in Lady Gaga Fandom; 9: Fans of Folklore Performances:
Identifying a New Relationship Between Communication and Marketing; 10:
Investors and Patrons, Gatekeepers and Social Capital: Representations and
Experiences of Fans' Participation in Fan Funding; 11: Music Fans as
Mediators in the Age of Digital Reproduction; 12: Celebrity: The Return of
the Repressed in Fan Studies?; 13: Fans Who Cut Their Soaps Queer: A Queer
Theoretical Study into Online Fandom of Gay Television Representation; III:
Localities of Fandom; 14: Transnational Cultural Fandom; 15: Retreating
Behind the Scenes: The 'Less'-Civilizing Impact of Virtual Spaces on the
Irish Heavy Metal Scene; 16: 'Kvlt-er than Thou': Power, Suspicion and
Nostalgia within Black Metal Fandom; 17: A Decade in the Life of Online Fan
Communities; 18: Placing Fan Cultures: Xenites in the Transnational Spaces
of Fandom; 19: Embodied Fantasy: The Affective Space of Anime Conventions;
20: Watching Football in the Fan Park: Mediatization, Spectatorship and Fan
Identity; 21: 'We're Not Racist, We Only Hate Mancs': Post-Subculture and
Football Fandom
Introduction; I: Re-defining the Fan; 1: Returning to 'Becoming-a-Fan'
Stories: Theorising Transformational Objects and the Emergence/Extension of
Fandom; 2: Populating the Universe: Toy Collecting and Adult Lives; 3: Much
Ado about Keanu Reeves: The Drama of Ageing in Online Fandom; 4: Music for
(Something Other than) Pleasure: Anti-fans and the Other Side of Popular
Music Appeal 1; 5: A Severe Case of Disliking Bimbo Heidi, Scumbag Jesse
and Bastard Tiger: Analysing Celebrities' Online Anti-fans; 6: Fandom as
Survival in Media Life; 7: From Interpretive Communities to Interpretative
Fairs: Ordinary Fandom, Textual Selection and Digital Media; II: Fans and
Producers; 8: Fan/Celebrity Interactions and Social Media: Connectivity and
Engagement in Lady Gaga Fandom; 9: Fans of Folklore Performances:
Identifying a New Relationship Between Communication and Marketing; 10:
Investors and Patrons, Gatekeepers and Social Capital: Representations and
Experiences of Fans' Participation in Fan Funding; 11: Music Fans as
Mediators in the Age of Digital Reproduction; 12: Celebrity: The Return of
the Repressed in Fan Studies?; 13: Fans Who Cut Their Soaps Queer: A Queer
Theoretical Study into Online Fandom of Gay Television Representation; III:
Localities of Fandom; 14: Transnational Cultural Fandom; 15: Retreating
Behind the Scenes: The 'Less'-Civilizing Impact of Virtual Spaces on the
Irish Heavy Metal Scene; 16: 'Kvlt-er than Thou': Power, Suspicion and
Nostalgia within Black Metal Fandom; 17: A Decade in the Life of Online Fan
Communities; 18: Placing Fan Cultures: Xenites in the Transnational Spaces
of Fandom; 19: Embodied Fantasy: The Affective Space of Anime Conventions;
20: Watching Football in the Fan Park: Mediatization, Spectatorship and Fan
Identity; 21: 'We're Not Racist, We Only Hate Mancs': Post-Subculture and
Football Fandom
Stories: Theorising Transformational Objects and the Emergence/Extension of
Fandom; 2: Populating the Universe: Toy Collecting and Adult Lives; 3: Much
Ado about Keanu Reeves: The Drama of Ageing in Online Fandom; 4: Music for
(Something Other than) Pleasure: Anti-fans and the Other Side of Popular
Music Appeal 1; 5: A Severe Case of Disliking Bimbo Heidi, Scumbag Jesse
and Bastard Tiger: Analysing Celebrities' Online Anti-fans; 6: Fandom as
Survival in Media Life; 7: From Interpretive Communities to Interpretative
Fairs: Ordinary Fandom, Textual Selection and Digital Media; II: Fans and
Producers; 8: Fan/Celebrity Interactions and Social Media: Connectivity and
Engagement in Lady Gaga Fandom; 9: Fans of Folklore Performances:
Identifying a New Relationship Between Communication and Marketing; 10:
Investors and Patrons, Gatekeepers and Social Capital: Representations and
Experiences of Fans' Participation in Fan Funding; 11: Music Fans as
Mediators in the Age of Digital Reproduction; 12: Celebrity: The Return of
the Repressed in Fan Studies?; 13: Fans Who Cut Their Soaps Queer: A Queer
Theoretical Study into Online Fandom of Gay Television Representation; III:
Localities of Fandom; 14: Transnational Cultural Fandom; 15: Retreating
Behind the Scenes: The 'Less'-Civilizing Impact of Virtual Spaces on the
Irish Heavy Metal Scene; 16: 'Kvlt-er than Thou': Power, Suspicion and
Nostalgia within Black Metal Fandom; 17: A Decade in the Life of Online Fan
Communities; 18: Placing Fan Cultures: Xenites in the Transnational Spaces
of Fandom; 19: Embodied Fantasy: The Affective Space of Anime Conventions;
20: Watching Football in the Fan Park: Mediatization, Spectatorship and Fan
Identity; 21: 'We're Not Racist, We Only Hate Mancs': Post-Subculture and
Football Fandom