The first large-scale study of how fifteenth-century motets were used across Western Europe, dispelling the mysteries surrounding these outstanding works.
The first large-scale study of how fifteenth-century motets were used across Western Europe, dispelling the mysteries surrounding these outstanding works.
Robert Nosow has published widely on fifteenth-century Latin polyphony and the relationship of written and oral traditions in the performance of Italian poetry. His writing has appeared in many publications including The New Grove, the Journal of Musicology, Early Music History and Musical Quarterly. He also edited the first scholarly edition of the three 'Concertos for Violoncello' of C. P. E. Bach.
Inhaltsangabe
Introduction 1. Motets in the chronicles of Henry V 2. The motet as ritual 3. Processions in the Veneto 4. The motet as ritual embassy 5. Motets for the citizens of Bruges 6. Contemplation 7. The canons of Cambrai 8. The dialogic motet Appendix A. Accounts of Santa Maria dei Battuti Appendix B. Foundations and charters at Bruges Appendix C. Foundations at Cambrai cathedral.
Introduction 1. Motets in the chronicles of Henry V 2. The motet as ritual 3. Processions in the Veneto 4. The motet as ritual embassy 5. Motets for the citizens of Bruges 6. Contemplation 7. The canons of Cambrai 8. The dialogic motet Appendix A. Accounts of Santa Maria dei Battuti Appendix B. Foundations and charters at Bruges Appendix C. Foundations at Cambrai cathedral.
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