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This study explores the vestiges of primitive sacrificial rituals that emerge in a group of canonical modernist novels, including The Turn of the Screw, Heart of Darkness, The Good Soldier, The Great Gatsby, and To the Lighthouse. It argues that modernist reenactments of this pattern present narrators who, although vigorously protesting the victimization of certain characters, unfailingly seize upon others as their surrogates.
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