Historians of British theater have often noted that the eighteenth century was an age not of the author but of the actor. In Rival Queens, Felicity Nussbaum argues that the period might more accurately be seen as the age of women in the theater, and more particularly as the age of the actress.
Historians of British theater have often noted that the eighteenth century was an age not of the author but of the actor. In Rival Queens, Felicity Nussbaum argues that the period might more accurately be seen as the age of women in the theater, and more particularly as the age of the actress.
Introduction: At Stage's Edge Chapter 1. The Economics of Celebrity Chapter 2. "Real, Beautiful Women": Rival Queens Chapter 3. Actresses' Memoirs: Exceptional Virtue Chapter 4. Actresses and Patrons: The Theatrical Contract Chapter 5. The Actress and Performative Property: Catherine Clive Chapter 6. The Actress, Travesty, and Nation: Margaret Woffington Chapter 7. The Actress and Material Femininity: Frances Abington Epilogue: Contracted Virtue Notes Bibliography Index Acknowledgments
Introduction: At Stage's Edge Chapter 1. The Economics of Celebrity Chapter 2. "Real, Beautiful Women": Rival Queens Chapter 3. Actresses' Memoirs: Exceptional Virtue Chapter 4. Actresses and Patrons: The Theatrical Contract Chapter 5. The Actress and Performative Property: Catherine Clive Chapter 6. The Actress, Travesty, and Nation: Margaret Woffington Chapter 7. The Actress and Material Femininity: Frances Abington Epilogue: Contracted Virtue Notes Bibliography Index Acknowledgments
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