A study of caipira, Brazil's most indigenous country music, and the commodification of the rural in Brazilian popular culture.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alexander Sebastian Dent is Associate Professor of Anthropology at George Washington University.
Inhaltsangabe
Preface ix Acknowledgments xi Introduction: Rural Music, Intimacy, and Memory 1 1. What Counts as "Country"? Rural Performativity in the Twentieth Century 29 2. Country Brothers: Kinship as Chronotope 57 3. Mixture, Sadness, and Intimacy in the Brazilian Music Field 83 4. Hick Dialogics: Experiencing the Play of Rural Genres 108 5. Teleologies of Rural Disappearance: Interpreting Rural Music 136 6. Digital Droplets and Analogue Flames: The Circulatory Matrices of Brazilian Country 162 7. Producing Rural Locality 186 8. Hicks of the World: The Country Cosmopolitan 211 Conclusion: Postauthoritarian Memory and Rurality 239 Notes 251 Discography 267 Bibliography 269 Index 285
Preface ix Acknowledgments xi Introduction: Rural Music, Intimacy, and Memory 1 1. What Counts as "Country"? Rural Performativity in the Twentieth Century 29 2. Country Brothers: Kinship as Chronotope 57 3. Mixture, Sadness, and Intimacy in the Brazilian Music Field 83 4. Hick Dialogics: Experiencing the Play of Rural Genres 108 5. Teleologies of Rural Disappearance: Interpreting Rural Music 136 6. Digital Droplets and Analogue Flames: The Circulatory Matrices of Brazilian Country 162 7. Producing Rural Locality 186 8. Hicks of the World: The Country Cosmopolitan 211 Conclusion: Postauthoritarian Memory and Rurality 239 Notes 251 Discography 267 Bibliography 269 Index 285
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