This study returns to the origins of Robert Lepage's directorial work and his first cross-cultural interaction with a Shakespearean text to provide some background for his later work. This early work is situated within the political and social context of Quebec and Canada in the 1980s.
This study returns to the origins of Robert Lepage's directorial work and his first cross-cultural interaction with a Shakespearean text to provide some background for his later work. This early work is situated within the political and social context of Quebec and Canada in the 1980s.
1. The Boundaries of Shakespeare in Performance Criticism 2. The 2018 Controversies 3. The Artist in Canada: Representing Difference 4. The Cultural and Theatrical Climate in Canada 1980-1992 5. Bilingual Theatre in Canada 6. Shakespeare in Quebec 7. Reflecting on Origins ¿ Lepage's Training and Théâtre Repère 8. Nightcap Productions/Shakespeare on the Saskatchewan 9. A Critical Analysis of Early Multicultural Government Policy in Canada 10. Quebec's Multiculturalism/Interculturalism 11. English Canada's Approach to Multicultural Policy 12. The Cultural Controversy of 2018 Revisited.
1. The Boundaries of Shakespeare in Performance Criticism 2. The 2018 Controversies 3. The Artist in Canada: Representing Difference 4. The Cultural and Theatrical Climate in Canada 1980-1992 5. Bilingual Theatre in Canada 6. Shakespeare in Quebec 7. Reflecting on Origins ¿ Lepage's Training and Théâtre Repère 8. Nightcap Productions/Shakespeare on the Saskatchewan 9. A Critical Analysis of Early Multicultural Government Policy in Canada 10. Quebec's Multiculturalism/Interculturalism 11. English Canada's Approach to Multicultural Policy 12. The Cultural Controversy of 2018 Revisited.
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