This book calls upon globalisation, queer, cinema, and affect studies to explore key Robert Lepage productions from 1984 to 2008, analysing the systems through which his work is produced and disseminated.
This book calls upon globalisation, queer, cinema, and affect studies to explore key Robert Lepage productions from 1984 to 2008, analysing the systems through which his work is produced and disseminated.
Karen Fricker is Associate Professor of Dramatic Arts at Brock University in Ontario
Inhaltsangabe
Introduction 1 Local global universal? The Dragon's Trilogy 2 Vinci: Lepage in his own line of vision 3 Lepage's cinematic dramaturgy 4 Lepage's affective economy 5 Branding Ex Machina 6 Neoliberalism authorship legacy: Lepage and Ex Machina's futures 7 Coda - Lepage exposed Appendix References Index
Introduction 1 Local global universal? The Dragon's Trilogy 2 Vinci: Lepage in his own line of vision 3 Lepage's cinematic dramaturgy 4 Lepage's affective economy 5 Branding Ex Machina 6 Neoliberalism authorship legacy: Lepage and Ex Machina's futures 7 Coda - Lepage exposed Appendix References Index
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