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This book calls upon globalisation, queer, cinema, and affect studies to explore key Robert Lepage productions from 1984 to 2008, analysing the systems through which his work is produced and disseminated.

Produktbeschreibung
This book calls upon globalisation, queer, cinema, and affect studies to explore key Robert Lepage productions from 1984 to 2008, analysing the systems through which his work is produced and disseminated.
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Autorenporträt
Karen Fricker is Associate Professor of Dramatic Arts at Brock University in Ontario