Roberto Gerhard
Re-Appraising a Musical Visionary in Exile
Herausgeber: Adkins, Monty; Mann, Rachel E
Roberto Gerhard
Re-Appraising a Musical Visionary in Exile
Herausgeber: Adkins, Monty; Mann, Rachel E
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Marking the 125th anniversary of the birth of Roberto Gerhard, this work views the composer's life and oeuvre through the lens of the Spanish Civil War, exile, and cultural translation. Through these different threads, a new and more nuanced understanding of Gerhard and the political and cultural milieu that influenced his work emerges.
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Marking the 125th anniversary of the birth of Roberto Gerhard, this work views the composer's life and oeuvre through the lens of the Spanish Civil War, exile, and cultural translation. Through these different threads, a new and more nuanced understanding of Gerhard and the political and cultural milieu that influenced his work emerges.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Hurst & Co.
- Seitenzahl: 324
- Erscheinungstermin: 10. Februar 2023
- Englisch
- Abmessung: 229mm x 163mm x 36mm
- Gewicht: 635g
- ISBN-13: 9780197267134
- ISBN-10: 0197267130
- Artikelnr.: 66129390
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Hurst & Co.
- Seitenzahl: 324
- Erscheinungstermin: 10. Februar 2023
- Englisch
- Abmessung: 229mm x 163mm x 36mm
- Gewicht: 635g
- ISBN-13: 9780197267134
- ISBN-10: 0197267130
- Artikelnr.: 66129390
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Monty Adkins is a composer, performer, and Professor of Experimental Electronic Music at the University of Huddersfield. He has written and edited books on the relationship between art and music, ambient music, the work of Roberto Gerhard as well as journal articles on the aesthetics of digital music for Organised Sound and the Journal of Music Technology and Education, book chapters on music education, mixed music, and the electronic music of Christopher Fox. Adkins is also active as a composer and sound designer. Rachel E. Mann is an Assistant Professor of music theory at the University of Texas Rio Grande Valley and has held appointments at the University of Illinois, University of North Texas, and University at Albany. Her research interests include music theory pedagogy, educational technology, and the music and writings of Roberto Gerhard. She is a reader for the AP Music Theory Exam and Senior Content Developer for the software app Harmonia by Illiac Software, which has received major funding from the National Science Foundation. Her research is published by Ashgate, Cambridge Scholars Press, Routledge, and the Journal of Music Theory Pedagogy.
* i: Rachel E. Mann and Monty Adkins: Introduction
* 1: Monty Adkins: Gerhard's Cultural Milieu: An Explorer and a
Survivor
* 2: Sebastiaan Faber: The Forgotten Legacies of Spanish Civil War
Exile: Dispersed, Diverse, Divided
* 3: Magda Polo Pujadas: The Musical Aesthetic of Robert Gerhard
(1914-1938)
* 4: Benjamin K. Davies: Between Heuristic and Hypostatisation
* 5: Francis Lough: National Identity and Spanish Republican Exile
* 6: Samuel Llano: Exile, Music, and Cultural Translation: Gerhard's
Transnational Chronotopes
* 7: Leticia Sánchez de Andrés: Roberto Gerhard's First Decade of Exile
(1939-49): Rootlessness and Survival
* 8: Mark E. Perry: Gerhard as Composer in Exile
* 9: Judy-Ann Desrosiers: Memoir of The Spanish Civil War: A Political
Reading of Roberto Gerhard's Ballet Pandora
* 10: Mari Paz Balibrea: 'Staple of the Contemporary Music Scene':
Roberto Gerhard in Geopolitical Perspective
* 11: Marco Ramelli: The Influence of the Spanish Civil War in
Gerhard's Guitar Music
* 12: Belén Pérez Castillo: Roberto Gerhard's Cantares: Seven Songs of
Absence ... and a Presence
* 13: Julian White: 'Smiling Bravely at the Night': Roberto Gerhard's S
ymphony No. 3, 'Collages' and Albert Camus's 'Retour à Tipasa'
* 14: Rachel E. Mann: A Voice Apart: Constructing a Cosmopolitan
Identity in Exile
* 1: Monty Adkins: Gerhard's Cultural Milieu: An Explorer and a
Survivor
* 2: Sebastiaan Faber: The Forgotten Legacies of Spanish Civil War
Exile: Dispersed, Diverse, Divided
* 3: Magda Polo Pujadas: The Musical Aesthetic of Robert Gerhard
(1914-1938)
* 4: Benjamin K. Davies: Between Heuristic and Hypostatisation
* 5: Francis Lough: National Identity and Spanish Republican Exile
* 6: Samuel Llano: Exile, Music, and Cultural Translation: Gerhard's
Transnational Chronotopes
* 7: Leticia Sánchez de Andrés: Roberto Gerhard's First Decade of Exile
(1939-49): Rootlessness and Survival
* 8: Mark E. Perry: Gerhard as Composer in Exile
* 9: Judy-Ann Desrosiers: Memoir of The Spanish Civil War: A Political
Reading of Roberto Gerhard's Ballet Pandora
* 10: Mari Paz Balibrea: 'Staple of the Contemporary Music Scene':
Roberto Gerhard in Geopolitical Perspective
* 11: Marco Ramelli: The Influence of the Spanish Civil War in
Gerhard's Guitar Music
* 12: Belén Pérez Castillo: Roberto Gerhard's Cantares: Seven Songs of
Absence ... and a Presence
* 13: Julian White: 'Smiling Bravely at the Night': Roberto Gerhard's S
ymphony No. 3, 'Collages' and Albert Camus's 'Retour à Tipasa'
* 14: Rachel E. Mann: A Voice Apart: Constructing a Cosmopolitan
Identity in Exile
* i: Rachel E. Mann and Monty Adkins: Introduction
* 1: Monty Adkins: Gerhard's Cultural Milieu: An Explorer and a
Survivor
* 2: Sebastiaan Faber: The Forgotten Legacies of Spanish Civil War
Exile: Dispersed, Diverse, Divided
* 3: Magda Polo Pujadas: The Musical Aesthetic of Robert Gerhard
(1914-1938)
* 4: Benjamin K. Davies: Between Heuristic and Hypostatisation
* 5: Francis Lough: National Identity and Spanish Republican Exile
* 6: Samuel Llano: Exile, Music, and Cultural Translation: Gerhard's
Transnational Chronotopes
* 7: Leticia Sánchez de Andrés: Roberto Gerhard's First Decade of Exile
(1939-49): Rootlessness and Survival
* 8: Mark E. Perry: Gerhard as Composer in Exile
* 9: Judy-Ann Desrosiers: Memoir of The Spanish Civil War: A Political
Reading of Roberto Gerhard's Ballet Pandora
* 10: Mari Paz Balibrea: 'Staple of the Contemporary Music Scene':
Roberto Gerhard in Geopolitical Perspective
* 11: Marco Ramelli: The Influence of the Spanish Civil War in
Gerhard's Guitar Music
* 12: Belén Pérez Castillo: Roberto Gerhard's Cantares: Seven Songs of
Absence ... and a Presence
* 13: Julian White: 'Smiling Bravely at the Night': Roberto Gerhard's S
ymphony No. 3, 'Collages' and Albert Camus's 'Retour à Tipasa'
* 14: Rachel E. Mann: A Voice Apart: Constructing a Cosmopolitan
Identity in Exile
* 1: Monty Adkins: Gerhard's Cultural Milieu: An Explorer and a
Survivor
* 2: Sebastiaan Faber: The Forgotten Legacies of Spanish Civil War
Exile: Dispersed, Diverse, Divided
* 3: Magda Polo Pujadas: The Musical Aesthetic of Robert Gerhard
(1914-1938)
* 4: Benjamin K. Davies: Between Heuristic and Hypostatisation
* 5: Francis Lough: National Identity and Spanish Republican Exile
* 6: Samuel Llano: Exile, Music, and Cultural Translation: Gerhard's
Transnational Chronotopes
* 7: Leticia Sánchez de Andrés: Roberto Gerhard's First Decade of Exile
(1939-49): Rootlessness and Survival
* 8: Mark E. Perry: Gerhard as Composer in Exile
* 9: Judy-Ann Desrosiers: Memoir of The Spanish Civil War: A Political
Reading of Roberto Gerhard's Ballet Pandora
* 10: Mari Paz Balibrea: 'Staple of the Contemporary Music Scene':
Roberto Gerhard in Geopolitical Perspective
* 11: Marco Ramelli: The Influence of the Spanish Civil War in
Gerhard's Guitar Music
* 12: Belén Pérez Castillo: Roberto Gerhard's Cantares: Seven Songs of
Absence ... and a Presence
* 13: Julian White: 'Smiling Bravely at the Night': Roberto Gerhard's S
ymphony No. 3, 'Collages' and Albert Camus's 'Retour à Tipasa'
* 14: Rachel E. Mann: A Voice Apart: Constructing a Cosmopolitan
Identity in Exile